Résumés(1)

Mara gives birth to the illegitimate boy Ivan, whose father Rok is a businessman she loves obsessively. When Rok is accused of white-collar crime, his friends abandon him. Mara feels the consequences as well. She gets beaten up by Rok's cronies and ends up in a safe house. Rok takes her away, and she is convinced her dreams have come true. However, Rok uses her only to get to the money he keeps in a safe. On the run from the police, he forces Mara to make the worst sacrifice imaginable - leave her baby... (Transilvania International Film Festival)

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Critiques (2)

angel74 

Toutes les critiques de l’utilisateur·trice

anglais Such rawly urgent and strongly naturalistically portrayed film narratives are not often seen. From beginning to end, the viewer is accompanied by a oppressive feeling, evoked by the anticipation of what terrible thing will happen next. Maruša Majer undoubtedly deserves a great deal of credit for this, as she completely transformed into the role of a helpless and desperate first-time mother, delivering a deeply emotional performance. The script may be a bit overcomplicated, but otherwise, I don't have the slightest complaint. Searching my memory, I can't recall any other encounter with Slovenian cinema and I have to say that I chose very well the first time, as it was an extremely powerful experience. (85%) ()

EvilPhoEniX 

Toutes les critiques de l’utilisateur·trice

anglais A depressing and unpleasant from Slovenia! The protagonist is put in a very nasty situation, she has to decide between her newly born son and the man she loves sickly. Slovenia serves up a very dense psychological drama that isn't afraid of nudity and detailed childbirth, for which I give it a thumbs up, but the slower pace bothered me a bit. It's a bit artsy. Mothers will have a hard time with the film, so caution! 6/10. ()

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