Sweethearts

Maybe I’m spoiled by Scandinavian dramas that are able to create great atmosphere without a single musical tone. To the contrary, in this Czech movie the dramatic atmosphere is completely built on music. A dull melodramatic music that lasted 95 minutes out of total 97 minutes and it took me a while to get used to it. I would probably find some faults with the ending as well because the story that is told in this movie is totally underminedat the end. What I was watching most of the movie were really sad characters whose lives made me really sad. Are people around me really like that? I don’t want to believe that. The characters oscillates between extremes during this movie. But after I finished it I had a feeling that the actors did their best and a lot of characters were really great. Marek Taclík, Lenka Vlasáková and mainly Jana Plodková gave their best performances. In the end I have to say that I was quite satisfied. We film dramas differently here than in the rest of the world but I don’t think that Sweethearts is as bad as it is rated on this site. Quite the opposite. (26/09/2020)

More of a dramedy than a comedy, but decent by Czech standards. An adult film about adult people and adult problems. Marek Taclík takes care of most of the humour and Jana Plodková hypnotizes with her beautiful body. The finale is quite emotionally strong also thanks to the well-chosen musical score. Yeah not bad. 6/10. (24/09/2021)

I liked the first two films that Havlík worked on. His second two films, on which he collaborated with Radka Třeštíková, are a different story. The book version of Sweethearts is a classic bestseller by Mott. In the film adaptation, the original structure of twelve separate stories of individual women told from their point of view loses a little of its charm, and it is replaced by a kind of untidy interweaving and a finale that would put others to shame. The main characters consist of today's all-stars, and formally Sweethearts has everything it needs, so the average viewer is, of course, satisfied. (21/08/2021)

Sweethearts est un mélodrame traitant entre autres de la prostitution, de la drogue, de l'infidélité, d'une tumeur au cerveau, de tendances suicidaires, de fugues de la maison et de nombreuses grossesses, étonnamment présentés comme un divertissement, léger et égayé par des passages comiques. Il s'agit d'un film tchèque qui tente encore de se présenter comme une histoire douce-amère sur la vie, mais qui en réalité reste complètement détaché de la réalité (la représentation de la relation entre une prostituée et son souteneur, ainsi que les conditions de travail dans les multinationales relèvent d'un autre univers) et dont les personnages ne sont que des figures primitives, définies par un ou deux stéréotypes (tous les hommes adultes sont des salauds égoïstes et insensibles, tandis que les héroïnes féminines sont leurs victimes tourmentées et naïves). Malgré la banalité et la sottise du contenu, on ne peut pas nier la brillante réalisation de Sweethearts et son sens de la narration, ainsi que sa conception formelle solide (montage, caméra, musique, acteurs investis). De plus, le rythme de Sweethearts est correct, le dénouement remarquablement mis en scène en un seul plan, et même le déroulement progressif des relations entre les différents personnages est assez divertissant. Dans l’ensemble, il s’agit donc d’un film dont la superbe réalisation est à plusieurs niveaux meilleure que ce que méritent son intrigue lamentablement écrite et ses personnages plats. (23/09/2020)

When I was putting the film into the player, I already knew that I would be disappointed once again, because Czech film production has rarely brought me joy for a while now. Imagine my surprise when I discovered that this film actually had a story and that more emphasis was placed on the story than on product placement. Not that it didn't appear in the film, it was present and clearly visible, but no one constantly beat me over the head with it like a rotting fish. Pleasant change. The characters (especially the male ones) seemed a bit stereotypical to me, but as a whole, everything worked for me until the moment when all the plot lines intersected at the hotel. There, they pushed too hard, and on top of that, the creators buried their efforts with a desperate ending, so three pieces couldn't possibly come out of it. Compared to other Czech gems, it was, however, quite a cultural experience :-) (05/10/2021)

The dramatic or comedic line doesn't quite work here, but I didn't get bored at all and I liked Sweethearts. A lot of the credit for this goes to the great performances of almost everyone involved. Moreover, I really like most of them. Not to mention that Rudolf Havlík also did a good job as director. For the above reasons I have been a bit more generous in my rating, although I would have given the movie three stars without a second thought for its too relaxed and straightforward ending. (70%) (02/10/2022)