Comancheria

Une autre bévue des Oscars, à moins que des quotas texans ne s'appliquent à côté des quotas afro-américains ? Je n’appellerais pas ça un western moderne, à part peut-être pour la dernière demi-heure, qui est franchement très bonne, qui fonctionne et, oui, qui ressemble un peu à un western. Sinon, c’est un film globalement moyen avec des points morts. Je n’imagine pas décerner un quelconque Oscar à ça. La principale force de Comancheria, ce sont les performances de l’excellent Ben Foster (comme à son habitude) et de l’épatant Chris Pine (plutôt inattendu) dans les rôles des deux frères. Mais Jeff Bridges ?! Est-ce qu’ils distribuent à nouveau des nominations au mérite ? Ou devrais-je rester ébahi parce que Monsieur s’assoit et discute avec un collègue indien, déclame des mots cinglants à travers sa prothèse ou imite le dialecte texan ? En plus, il a déjà été oscarisé, donc l’Académie aurait pu sans problème aller voir ailleurs. (26/02/2017)

I like stories of people who have most things wrong in life and yet wouldn't change a thing. It's a devil's deal that such stories often take place in Texas. From Toby and Tanner's robberies, I feel a burning longing for old times that will never return, and Jeff Bridges' grumbling ranger saws the contours of a Western almost to perfection. In combination with perfect cinematography that captures all the vast expanses with absorbing haziness, I'm not far from giving this the highest rating. There's only one thing preventing me – the persistent feeling that it borrowed too much from No Country for Old Men. (11/01/2017)

A pure post-western that doesn't remember the old days fondly, but laments the misery of the present, which doesn't favor cowboys. It’s a wistful tale from the borderlands that reigns in its casting and pure direction. However, the theatrical standing on the porch with a beer in your hand and philosophy on your lips is perhaps too much at times. (15/01/2017)

I found the term contemporary western a bit shocking at the start, but after all why not. The film takes place in Texas and apart from the kind-hearted sheriff, who is brilliantly portrayed by Jeff Bridges, there are also two guys who rob banks and I spent the entire movie trying to understand them, which, honestly, I couldn’t accomplish and the final punchline of the film doesn’t help it either. Nevertheless, thanks to the setting and the exemplary introduction to the Texan character, which takes shit from no one and nothing, this film is worth seeing. I also feel that this is the reason why this movie was actually made. It’s like a recruitment video: “Become a Texan… if you have the balls.” Addendum: And now we are going to play the movie Hell or High Water for you, which will present us in the rawest form and on top of that you will get to enjoy some beautiful scenery, which the director of photography used to emphasise the beauty of the scorched wasteland. (30/01/2017)

The pure essence of Cormack McCarthy, about which regular adaptations of his works can just dream about. Without exaggeration, the best film neo-western, watching which you will be astonished on how many levels it works, without any possible "but". It works smoothly as a genre movie, as a study of magnificently written (and without exception equally magnificently played) characters, as a hypnotic movie that raises emotions benefiting from Cave and endless Texas distances, as well as a camera that does them justice as a reflection of time and a social insight into the soul of the had-working Republican class, which has nothing, banks are bullying them and circumstances force them to take one credit after another and who get from one debt to another (no other film will show you in such an illustrative and nonviolent way why America chose Trump), as a textbook of minimalist dialogs "about something", even if seemingly "about nothing", like... Well, I could continue for hours and hours in the same way. For many years, I have not seen a movie that would so skillfully blur the line between pure genre pleasure and existential festival movie. For me, it's simply an instant classic, and not just within the "Peckinpah" genre. (16/11/2016)