2046

I have long had a problem with East Asian cinema, and in the case of the film 2046, which was preceded by the reputation of a "megafilm" or at least a big festival film, it is no different. It must be said that the genre definition of sci-fi, or fantasy, is purely confusing in this case, although the opening titles create the impression of a futuristic blockbuster. However, this is not essential for my review. What is important is what the film is actually about. Love? Seriously? Visually, it is certainly an extremely impressive matter, but it is as far from Tarkovsky's spirit, or rather his depth of soul, as I am from being an astronaut. The film is dominated by beautiful women's faces dreamily gazing into the distance or uttering banalities. Beautifully dressed people, meticulous hairstyles, evening makeup, bright red nails, and beautiful piano tones accompanying it all. Slightly decadent characters, a somewhat dreamy atmosphere, and a mysteriously acting game with numbers. It left me with the impression of carefully created kitsch. It is not a cheap, loudly painted plaster gnome, but an ambitious attempt to reach the highest goals in the realm of kitsch. Unfortunately, it is a damn boring attempt... Overall impression: 10% for the female cast. (10/02/2008)