Hrútar
Blandt mænd og får
Rams
Réalisation:
Grímur HákonarsonScénario:
Grímur HákonarsonPhotographie:
Sturla Brandth GrøvlenMusique:
Atli ÖrvarssonActeurs·trices:
Sigurður Sigurjónsson, Theódór Júlíusson, Charlotte Bøving, Jón Benónýsson, Gunnar Jónsson, Sveinn Ólafur Gunnarsson, Þorleifur Einarsson (plus)Résumés(1)
In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country's best, and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi's sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. This is a near death sentence for the farmers, whose sheep are their main source of income, and many abandon their land. But Gummi and Kiddi don't give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits. As the authorities close in the brothers will need to come together to save the special breed passed down for generations, and themselves, from extinction. (Soda Pictures)
(plus)Critiques (8)
Sheep happens. Baranov se ressent davantage lorsque vous êtes touché par les régions les plus éloignées de l'Islande. Sensible dans la représentation des personnages et de leurs relations, raffiné dans la dispensation d'informations, il maintient constamment la curiosité du spectateur, souvent par des gestes plutôt que des mots. La réalité nordique des personnes est créativement représentée par la direction, pour qui il est inacceptable de simplement accepter des moutons élevés avec une alimentation génétiquement modifiée sur leur ferme.
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(50th KVIFF) Together with The Virgin Mountain, an Icelandic combo of old, sad fat men. A film about two quarrelling sheep-farming brothers who have lost their herds to scrapie. The extreme situation gradually forces them to exchange a few of words and re-evaluate their relationship. From Scandinavia I’m more used to dramedies than pure dramas, but watch out, Rams is really very serious and slow, and the humour is present only in trace amounts. More an emotional than a narrative film that filled me with melancholy and sadness. At home in front of the computer, it’d probably be boring, but on the festival screen it was engrossing. 80 %
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The Icelandic nature, once again, got deep under my skin. And what’s better, is that it was in the cinema for the first time, which I am incredibly grateful for. It can be once again seen how deeply and strongly the Icelandic nation is connected to nature. Rams are based on it and it definitely isn’t an easy movie to watch, quite the opposite. There isn’t much talking in the movie, which isn’t a bad thing, because everything else is handled by the luxurious camera and the Icelandic nature. But when the talking does start, it’s more or less very factual. Here and there an absurd joke appears, which is actually typical of Icelandic movies, and in the finale, the movie even creates some feelings, which are being stretched more and more until they collide with the poetic, but a pretty brutal conclusion. There is nothing more to add, this is a clear five-star affair, and once again, hats off for a great movie experience and presentation of something new and unusual in our world.
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Two rams reared by rams are forty years old and do not talk to each other until they are forced to do so by an infection that attacks their neighboring herds. A poetic drama about brothers who benefit from minimalist poetics, captivating landscapes, the creative cameras of the rising star Sturla Brandth Grøvlen, economical acting creations of bearded lonely people and typical Icelandic weird exotics. It ends up attempting to combine naturalism / symbolism in a conclusion that feels somewhat annoyingly didactic and amateur. But otherwise, given the competition from the Scandinavian closed dramas, Rams definitely belongs under the Cannes spotlights. [Cannes 2015]
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Quand deux Bélier sont assis dans la salle et qu’ils regardent ensemble le film Béliers, ça promet de bons moments, y compris après la séance. Malheureusement, cette production islandaise est plutôt avarde en humour et, là où ça y ressemble, c’est alors sous une forme un peu bizarre ou absurde. Enfin, quoi qu’il en soit, c’était sympa et c’est ça qui compte !
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Eliciting pathos, canary level torture. Watching two overgrown elders, who at some points are hard to tell apart from their bleating protégés, lose everything they cared about and understood in life is a bit like watching Atreyu drowning his horse in a swamp for an hour and a half (AKA childhood ruined. Thanks Petersen). But then again, the austerity and first signal of the whole plot is quite meritorious, because I don't think I could survive a broader statement in this one. I'm glad it's down-to-earth, I'm glad it's "merely" telling a nice and sad story in the first and last lines.
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At first glance, the film doesn't exactly pull you in with its plot. It’s about two feuding brothers who haven't spoken in 40 years, but are brought together by their shared love for the flock of sheep they care for. But underneath this is a quiet, strongly emotional gem that doesn't need words, nor does it waste them, to engage you.
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It's been a while since I've seen this chilling Nordic drama, but it's still vivid in my mind. This in itself shows that this is an extremely well-made movie, which also has a strong human story. If you like Icelandic cinema, you'll definitely find it to your liking. (90%)
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