Résumés(1)

Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins. (Universal Pictures US)

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Critiques (6)

POMO 

Toutes les critiques de l’utilisateur·trice

français Contrairement à la deuxième partie, celle-ci ne contient pas de scènes "sérieuses" qui feraient rire la moitié du public. Et il y a moins d’érotisme, lequel semble être là par habitude, par obligation. C'est un bavardage tiré de la bibliothèque rose avec une prétendue intrigue de thriller et une relation conjugale harmonieuse entre les personnages principaux. En fait, je suis déjà assez habitué à eux. Leur caractère sympathie est ce qui maintient le film. Dans la première moitié, les spectateurs seront particulièrement ravis chaque cinq minutes. JEREMIE ()

Matty 

Toutes les critiques de l’utilisateur·trice

anglais My immediate impression of this film was manifested in one of the first names to appear in the closing credits: Philip Nee Nee. Everything important happens in roughly the last fifteen minutes, which are preceded by an hour and a half of hopeless advertisements for wedding dresses, Paris, Audi, men’s shirts, vanilla ice cream, Aspen, sex toys...hollow narration for snobs. Through most of the movie, the only suffering incurred by the protagonists, who are so wealthy that they shop in boutiques where they are served champagne as they pick out clothes, is whether they will make the evening more pleasant with a butt plug, a vibrator or a whip. Instead of Dornan working out on gymnastic equipment, here we have – for lovers of camp – Dornan singing at the piano (this time, unfortunately, we don’t see a poster for a movie like The Chronicles of Riddick). Otherwise, everything between the central couple remains as it was. Anastasia has problems and doesn’t listen. Christian punishes her, which she sometimes likes and sometimes doesn’t. All disagreements in the relationship are resolved by means of expensive gifts. Despite all of that, this particular Fifty Shades is slightly more tolerable than the second instalment in the series, which was ten minutes longer and far more obstinate in its disrespect for storytelling logic and causality between scenes. Though I would not in any case call this art, I find it extraordinary that someone can write and make a film that is so empty that there is nothing in it that you could hate. But it looks good and your brain can comfortably relax. 35% ()

novoten 

Toutes les critiques de l’utilisateur·trice

anglais A Series of Unfortunate Events of the Worst Bodyguard of All Time. Among the more entertaining findings is the fact that the plot fragments definitively collided during architecture lessons and a few failed attempts by the thwarted suitor, while the sadder ones include shock that even such a beauty as Arielle Kebbel doesn't look good in this shade of nonsense. The dead end of literary adaptations is finally reaching its finale and I hope that nobody ever returns to it. ()

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais Interesting paradox, the worst and most annoying thing about it is why audiences, and especially female audiences, go to the cinema to see. This attempt at a soft porn thriller movie for teens is a total drag on the overall experience, which isn't even necessary with such a charismatic lead character. Leaving aside the need to do some very stupid sexual scenes every 10 minutes, this is a slightly below-average thriller and a very above-average probe into the pioneering generation of today's successful thirty-somethings with all that entails. Foley offers a fresh, entertaining and smart interaction between two people with a lot of "life" potential, and throws down the gauntlet to the materialised peers sitting in the cinema, because living on even a tenth of the social/financial level of the film's Grey couple opens up a hell of a gateway to a world where a lot of things are possible to experience, acquire and achieve. If you take the good out of it, it's quite a motivational film as well. ()

claudel 

Toutes les critiques de l’utilisateur·trice

français Le troisième volet ne fait que confirmer un aspect fondamental propre à cette série de films, à savoir la faiblesse prononcée de son scénario/de son modèle littéraire. L’original était, d’après moi, meilleur que le livre, mais les numéros deux et trois atteignent des sommets de stupidité. J'ai été dégoûté dans le troisième en voyant certaines scènes ajoutées tout à fait gratuitement, lesquelles sont juste là pour qu’il se passe quelque chose dans le film. Passé la moitié du métrage, on frôlait le calvaire à certains moments. ()

angel74 

Toutes les critiques de l’utilisateur·trice

anglais No need to torture me, I’ll admit right from the start that I have a huge crush on Irish actor Jamie Dornan. Not to mention that in the final installment of this hated trilogy, he finally looks like a proper man with stubble on his face, and not just because of his hunky body. In addition, compared to the second, rather boring episode, I finally encountered some suspense and almost a detective plot. Although the script was quite silly in places, I surprisingly enjoyed Fifty Shades Freed. I might be exaggerating a little, but I really enjoyed it. (70%) ()