Résumés(1)

Tante Hilda, amoureuse de la nature, conserve dans son musée végétal des milliers de plantes du monde entier. Beaucoup sont en voie de disparition. Parallèlement, une nouvelle céréale, Attilem, mise au point par des industriels, se cultive avec si peu d'eau, sans engrais, et produit des rendements si prodigieux, qu'elle apparaît comme la solution miracle pour enrayer la faim dans le monde et prendre le relais du pétrole dont les réserves s'épuisent. Mais la catastrophe n'est pas loin... (SND)

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Critiques (1)

JFL 

Toutes les critiques de l’utilisateur·trice

anglais Despite its wonderful playfulness and impishness, this animated film doesn’t conceal the fact that, instead of children, it is targeted at young environmentalist parents and hipsters, even though it is screened in the children’s sections at festivals. In the context of the film, the flowing “vintage” animation with fidgety lines and hand-colouring comes across like a telling quirk aimed at evoking sentiment for authentic non-series products. The inclination towards adult viewers is further confirmed by the caricature-style drawing, which delights in emphasising bodily proportions. The animation, where emphasis is placed on the expressive movement of the given parts, is reminiscent of the animated films based on the Werner comic-book franchise by the comics author Brösel. After all, the vegetarian animated movie and the beer-soaked German comic-book series have a lot in common and the two works essentially differ only in the particular lifestyles that they glorify. Whereas Brösel manages to imbue his characters with a sizable portion of self-irony and satire, Aunt Hilda does an exemplary job of keeping the agitprop flowing. ()

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