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  • France One : Quand les pilotes jouent avec la mort (plus)

Résumés(1)

Durant les années 1960 et 1970, chaque saison de Formule 1 était le théâtre d'accidents mortels. Sur une carrière de 5 ans, un pilote avait en moyenne deux chances sur trois de mourir. 1 raconte le combat d'une génération de pilotes charismatiques qui frôlaient la mort à chaque virage, et qui se sont battus pour faire de la formule 1 un sport plus sûr. (Pathé Films)

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Critiques (2)

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais For my taste, too much time is spent on the early era, when Formula One was in its infancy, but everything was at the beginning and the appeal and trends were gradually developing. On the other hand, there’s not much of the golden era, or the modern era. Lauda vs Hunt is OK, there is very little Senna, and Prost is basically not there at all, yet the duel between these two drivers is perhaps even more epic and longer than the one between the knights of the 1970s. It's solidly done, though, with lots of valuable facts and interviews ()

novoten 

Toutes les critiques de l’utilisateur·trice

anglais The number one in the title signifies the position of the creators' greatest motor sport in their personal hobbies. They want to tell us everything about it – or at least something about everything. As a result, it necessarily ends up somewhat fragmented in terms of the overall history of the Formula One race, but some powerful moments make up for everything else, especially for those of us who did not experience that deadly time. Paul Crowder and Mark Monroe build a monumental monument to everyone who paid the highest price for their love of stepping on the pedal, and it is precisely in the divided and emotional memories of past rivals, friends, or lovers that the documentary is painfully powerful. ()

Annonces

Photos (9)