The Armstrong Lie

  • Grande-Bretagne The Armstrong Lie
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États-Unis, 2013, 122 min

Résumés(1)

Quatre ans après sa retraite sportive, Lance Armstrong entreprend un come-back dans le but de remporter un huitième Tour de France. Avec sa caméra, Alex Gibney filme les coulisses de ce retour improbable et dresse un portrait fort de ce Texan, survivant d'un cancer des testicules et promu champion cycliste. Au travers d'interviews exclusives avec l'ancien leader de l'US Postal mais aussi ses anciens coéquipiers et le sulfureux Dr Michele Ferrari, imminence grise du système Armstrong et d'images d'archives, Gibney dévoile la double personnalité du natif de Dallas : entre cycliste exceptionnel régnant sur le monde de la Petite Reine et parrain du plus grand système de dopage du sport moderne, tout en soulevant la question du dopage dans le monde du sport. L'histoire fascinante et inquiétante d'un homme qui voulut être roi et finit paria. (texte officiel du distributeur)

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Critiques (2)

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais I admire this film not so much because it is a great documentary work, but it is a film that can reveal the essence of a symbol at times. This is a great deconstruction, which is also cut in a way to have an emotional impact on the viewer. You can think what you want about Lance, but the legend will simply no longer be him. ()

DaViD´82 

Toutes les critiques de l’utilisateur·trice

anglais Gibney filmed an excellent, many-layered documentary, the weakness of which lies paradoxically in Gibney himself. If as a documentary maker he summarizes and puts into context Armstrong’s rich (in controversy) career and behind the scenes of professional cycling, he excels and looks at everything from various angles. But he fails in the one-to-one passages, when he had unprecedented access to Lance before (2009/2010) and after (2013) and got nothing from it. Before he was taken in by the powerful comeback story and after he avoided confrontation and difficult questions. He does try to make up for this with “thought settling" commentary, but the horse had already bolted; he should have stood up with that on set. But maybe this is a woeful consequence of the fact that this was released barely six months after Lance’s confession. In any case, Armstrong and cycling (fascinating how all convicted former cyclists point their finger, but never assume any responsibility) extraordinarily rewarding, colorful subjects for a documentary filmmaker and the end result reflects that. ()

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