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Résumés(1)

Dans le Sud de l'Italie, trois frères se retrouvent dans leur maison natale à l'occasion des obsèques de leur mère. Rocco, instituteur idéaliste, s'occupe de jeunes délinquants à Naples. Raffaele, juge d'instruction à Rome, vit sous la menace de terroristes et de leurs représailles. Nicolas, le plus jeune, est ouvrier à Turin et séparé de sa femme. Dans la grande chambre de leur enfance, les trois hommes discutent avant d'être emportés par le sommeil et de doux rêves... (Gaumont)

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Critiques (3)

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DaViD´82 

Toutes les critiques de l’utilisateur·trice

anglais It touches on many a burning topic for (not only) Italy (not only) in the eighties, but nothing comes of it in the end, nothing is discussed to the end, it goes nowhere. It would have worked better as the introductory episode to the series, but even so, it’s high quality enough as it is. Only in the end it is about nothing, however much it tries to be about almost everything. ()

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais A typical example of a movie where a high percentage rating is given by only a small group of reviewers. This really isn't a movie that could break box office records and belongs to the category that I call noble artistic boredom. It has a very slow pace and no progression. If I compare this dull affair to Il Divo by Sorrentino, then the latter represents a directorial gem, an explosion of creativity and a case where the screenwriter forces you to think about what you've seen and, above all, doesn't bore you at all. The film may have a luxurious cast and a topic that calls for high praise, but its execution simply does not convince me. It wanders from nowhere to nowhere and you will forget about the film soon after. This is an hour and three-quarters of film contemplation that could have been shot much more dynamically and interestingly. Overall impression: 45%. ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais What I must appreciate about this film, besides the excellent performances and scenes with the elderly, is how well the director chose the form and how he inserts scenes into the story that seem almost dreamlike, scenes of how everything could have been if... As a plot element, it is very interesting and now and then it pulls you out of boredom. ()