Advokátka Věra
Réalisation:
Martin FričScénario:
Václav WassermanPhotographie:
Ferdinand PečenkaMusique:
Julius KalašActeurs·trices:
Tania Doll, Růžena Šlemrová, Theodor Pištěk, Oldřich Nový, Bedřich Veverka, Ladislav Herbert Struna, Bohuš Záhorský, Rudolf Deyl st. (plus)Résumés(1)
Věra Donátová has finished her law studies and wants to found her own law firm. She is financially dependent, however, on her family. Her emancipated mother supports her endeavors but her father provides her the money with the condition that if her practice does not succeed within a year she will marry Consul Raboch's son. Věra has no clients. Her first case is assigned to her ex officio. Věra visits her client, Petr Kučera, known as Tiger, in his prison cell, and against his will she obtains his release. In an attempt to reform him she offers him a position as a butler in her office. Tiger invites her to the pub to acquaint her with the mentality of the underworld. Věra likes his sovereign behavior. The year deadline passes and father Donát throws a banquet. He wants Věra to choose from several invited suitors. Věra ridicules all the suitors, including Consul Raboch's son. Her father triumphs when he introduces to Věra the eldest son of Consul Raboch, the elegant gentleman Tiger. It is revealed that Věra's first, and for the meantime only, case was staged, to the satisfaction of all participants, by father Donát. (texte officiel du distributeur)
(plus)Critiques (2)
The epilogue of the outstanding career of the linguistically-gifted Truda Grosslichtová. Until recently, her story was one of the biggest mysteries of Czech film, but today we know that she gave up her career voluntarily and went to Holland after the war because she fell in love with a soldier. Regardless, her work in Czech cinema and in German and French films has left so many distinctive traces that we can continue to enjoy her art. Only rehabilitation is still missing in the eyes of the Czech public. As well as the announcement of the fact that she was from Prague and not from Vienna. "That could have made two nice widows!"
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A weaker comedy by Martin Fritz, whose final twist is really too much and its unbelievability must have surprised everyone. What precedes it, however, can be watched without much harm and the credit for that goes mainly to the very sympathetic Truda Grosslichtová, Oldřich Nový and his “Na děvče mi nesahej" and also the 100% reliable Václav Trégl.
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