Crescendo

Grande-Bretagne, 1970, 92 min

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Résumés(1)

Drawn to the spectacular south of France to research the late composer Henry Ryman, music student Susan Roberts (Stefanie Powers) encounters his son, drug-addicted Georges (James Olson) and his eccentric family. Investigating the haunting strains of an unfinished Ryman concerto leads Susan to discover an empty piano... and a brutally savaged mannequin! Georges tells her she's the lookalike of his lost love. But Susan may not be the only one at the villa with an eerie doppelgänger. (texte officiel du distributeur)

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Critiques (1)

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais Crescendo certainly doesn't belong to the greatest horrors and thrillers that the Hammer studio has produced, but it's still a film that's not entirely dismissible and can captivate, if not outright impress, the viewer. I had fun with the fact that the creators were determined to make it thrilling at all costs, but it kind of slips through their fingers, so it becomes a bit funny towards the end. But the overall course isn't too bad. ()