Les Contes de la nuit

  • États-Unis Tales of the Night (plus)
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Résumés(1)

Le goût de raconter des histoires, dans une nuit magique où tout est possible : les sorciers et les fées, les rois puissants et les garçons d'écurie, les loups garous et les belles dames sans merci, les cathédrales et les paillotes, les villes d'or et les forêts profondes, les flots d'harmonie de choeurs immenses et les sortilèges d'un seul tamtam, la méchanceté qui ravage et l'innocence qui triomphe... Le relief, traité par Michel Ocelot comme une dentelle délicate, ajoute à l'enchantement de ces féeries pour tous les âges. (StudioCanal)

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Critiques (1)

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Toutes les critiques de l’utilisateur·trice

anglais Michel Ocelot is a self-taught talent in the world of animated film, who ignores trends and commercial compromise. His films have never been among the hits and have not garnered the interest of the mass audience, but they regularly appear at film festivals and are sought after by connoisseurs who appreciate the artistic aspects and originality. Ocelot, thanks to his roots and interest in other cultures, is a globetrotter who frequently incorporates cultural references from other continents and eras into his work. This is also true in Tales of the Night, where we follow six fairy tale stories. However, be warned, even though there are princes, princesses, and other supernatural beings, it is more in the form of classic myths and ballads, which will be appreciated - thanks to its idiosyncratic non-childish humor - by more mature viewers. These stories are set in Central Africa, the Caribbean region, Mexico during the Aztec Empire, Tibet, and medieval Europe. Viewers can appreciate the fascinating sunrise on the peaks of the Himalayas or the hero's journey into the gloomy realm of the dead. Personally, it was a great experience with an interesting filmmaker, but I would recommend something completely different to parents of young children. Overall impression: 90%. ()