Résumés(1)

Holly Berenson est un traiteur de plus en plus en vue et Eric Messer, un directeur de chaîne sportive plein d’avenir. Après un premier rencart désastreux, ils n’ont plus en commun que leur antipathie réciproque et l’amour qu’ils portent à leur filleule Sophie. Mais lorsque soudain, ils deviennent pour Sophie tout ce qui lui reste au monde, Holly et Messer sont bien obligés de mettre leurs différences de côté. Jonglant avec leurs ambitions de carrière et des agendas sociaux qui se court-circuitent, ils vont devoir trouver un terrain d’entente pour vivre sous le même toit. (Warner Bros. FR)

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Critiques (3)

Pethushka 

Toutes les critiques de l’utilisateur·trice

anglais It's a fact that the whole movie is basically carried by Katherine and Josh D. There were lines that made me pee myself laughing and romantic moments where I was completely entranced and would have wanted to swap bodies. It's a bit of a shame that the performances of the others weren't anything special... except for the social worker, who won me over with her one line, "Maybe... if you want to get there fast, you should go faster than the other cars." All in all, it was great to watch and I give it a well-earned 5 stars. ()

Necrotongue 

Toutes les critiques de l’utilisateur·trice

anglais Neither here nor there. It says comedy/drama/romance in the description, but only the last one applies. I expect a comedy to make me laugh, and I expect a drama to make me think. Neither of that happened. The film drags (110 minutes? Why?!). It's clear from the first scene that the two protagonists are going to end up together. Katherine Heigl plays the same desperate woman as always (I'm starting to wonder if she's really acting). The rest of the film is just filler, trying in vain to create suspense by throwing various predictable obstacles in their way. I would have given it just one star, but Christina Hendricks was in the film for ten minutes, which was a brilliant move. ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais Katherine Heigl and Josh Duhamel were fine, the chemistry between them worked quite well, but the script put so much crap in their mouths that I wanted to cry, especially towards the end. It wasn’t so much with emotion, but just with how stupid it was and how it had to lead to the exact conclusion you expected. The ending bothered me and overall it brought down a film that had started quite well. ()