Divorce à l'Italienne

This was undoubtedly a satirical gem for its time, mocking traditional conservative morality, hypocrisy associated with the protection of so-called honor, the dominant influence of the church, and the outdated Italian countryside lifestyle that corresponded to the social structure of the 19th century while Italy was living a consumerist life in the second half of the 20th century. Today, the film is somewhat outdated, not only because the storytelling pace has accelerated, but mainly because society, not only the Italian one, is completely different and facing completely different problems. Not only are divorces allowed in Italy today, but like elsewhere, they are so easy that it would be worth considering making them a bit more difficult and complicated for those who consider it a permanent party. If politicians have mistresses and get divorced without any reservations or the need to hide anything, it suggests that we may be too tolerant. In Germi's film, one must still appreciate the excellent performances, led by the slick and fashionable Marcello Mastroianni in the role of a nobleman going through a midlife crisis who wants to replace his worn-out wife. Overall impression: 75%. (11/03/2010)

The film relies on the excellent Marcello Mastroianni, who fully showcases his acting prowess here. What's particularly interesting is that it's a comedy, although its undertones are also dramatic. After all, killing your wife isn't exactly a fun act. But Marcello Mastroianni pulls it all off brilliantly in a story that doesn't get boring. (11/11/2016)