Un homme est passé

  • France Coup dur à Black Rock (plus)
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A Black Rock, un village perdu au milieu du désert, débarque un étranger : l’élégant John J. Macreedy. Il interroge les habitants, cherchant à savoir comment rejoindre la ville d’Adobe Flat où il doit rencontrer un homme. Les habitants refusent de répondre à ses questions, et Macreedy se rend bientôt compte qu’une étrange menace plane sur la ville. (LaCinetek)

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kaylin 

Toutes les critiques de l’utilisateur·trice

anglais I love movies that are relatively short, straightforward, and focus on characters that are excellently written and wonderfully acted. That is exactly the case with the film "Black Day in Black Rock". Additionally, there is a seriously amazing screenplay that keeps you on the edge from the very beginning and doesn't let you breathe until almost the very end when you finally reach a resolution that may not always be the best. ()

lamps 

Toutes les critiques de l’utilisateur·trice

anglais A slow and tedious conversational drama that relies only on excellent actors and a bleak post-war rural setting where the inhabitants hide a shared secret. Unfortunately, it’s not very good at escalating the tension and the curiosity and to make us fear for the life of the protagonist (because the twist is very obvious and also, as a classic western, the hero is an almost untouchable god). Bonus points at least for the successful metaphor of the social divisions and mistrust of the time. ()

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Matty 

Toutes les critiques de l’utilisateur·trice

anglais Bad Day at Black Rock is a western in terms of its setting and character, a post-war psychological drama due to the time period in which it is set, and a Cold War thriller thanks to the time when it was made. The film can be interpreted in various ways, but because of Sturges’s reputation (it’s true that he made his best films later) and Tracy (who, conversely, could already choose the films that he wanted to appear in), I don’t believe that it was supposed to be merely an atmospheric movie with captivatingly “framed” shots and without a political-social reach. Only the symbolic taking of responsibility by young people… 75% ()

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