Slumdog Millionaire

"Millionaire from the slums" est un nouveau film important qui a la même influence que "Tigre et Dragon". C'est un récit d'amour venant d'un coin exotique du monde, raconté dans un langage universel compris à travers le monde, auquel un spectateur ordinaire ne pourra pas accéder. Et les Indiens soutiendront en vain (comme les Chinois l'ont fait à leur époque) qu'ils tournent de tels films depuis des décennies chez eux. Non, ils ne les tournent pas. Quelqu'un de l'extérieur doit venir parmi eux et apporter son objectif d'Europe de l'Ouest. "Millionaire from the slums" n'est pas un film de Bollywood, c'est une célébration pyrotechnique du Bollywood en tant que culture cinématographique, avec tout son romantisme. Dans cette belle histoire d'amour, elle exploite pleinement la splendeur et la misère du micromonde indien et lui confère un charme attrayant pour le public de manière inventive et fraîche. C'est un petit joyau cinématographique discret qui brille plus que toutes les bijouteries de Los Angeles où va faire ses achats "Benjamin Button". C'est un film qui célèbre la vie, la foi, la pensée positive; un film qui n'a pas été fait dans le but de devenir le film de l'année récompensé. Et c'est précisément pour cela qu'il le mérite. De nos jours, ce film est un petit miracle. Et Danny Boyle est le Père Noël. P.S. Jen Lopez ou Rosario Dawson ont les traits de Freida Pinto, mais elles n'ont pas ses yeux. Aucune actrice hollywoodienne n'a les yeux de Freida Pinto... (20/02/2009)

A naive, clichéd and predictable fairy tale about how a poor boy came to happiness. Boyle's film captivates with the sweeping realities of contemporary, overpopulated India, but otherwise has little else to offer. The childhood scenes are excellent, full of life and filmmaking passion, but the rest follows the same routine as many other films, without a hint of surprise, suspense or believable emotions. Bollywood came to Hollywood with a bang and everyone sat on their asses. Not me, though, sorry. (03/02/2009)

A charming film with an amazing atmosphere that warms the heart and caresses the soul. I don’t think the comparisons with City of God are that appropriate, even though they are logical. Whereas City of God is a cold and cumbersome construct without personality, Slumdog Millionaire is a warm, viewer friendly and, above all, brisk fairytale that doesn’t have any big message, but it’s all the more honest because of that. Danny Boyle has proven many times that he’s a visual wizard, but now he delivers a perfect fusion of images and music. Basically, in every scene with an important song all I could do was watch the screen with admiration and amazement – so many ideas and tricks is not something you see every day. I don’t think it’s a worthy best film of the year, but the direction really does deserve an award. (30/12/2008)

Danny Boyle got rid of Alex Garland and brought a cheap fairy tale to the West, exactly according to the Bollywood model. Its aesthetics of dirty slums and the search for happiness in it obviously earn touching moments with the audience, standing applause, and gilded statuettes. Unfortunately, to me, it smells of cheap calculation, which is only kept afloat by the fantastic passage with the little kids, which is funny and sad, and above all real, which cannot be said about the rest. It’s not that I don't appreciate the effort, but I yawned through the efforts of this hypocritical world - the visuals are like one of Tony Scott's Mexican trips and the good music (Boyle’s trademark) is nowhere to be found. I understand the general enthusiasm, I just don't share it. (14/02/2009)

An exploitative film... a selectively filmed and sounded demonstration of colonial fantasy with added value in the form of purifying catharsis. Slumdog Millionaire doesn't say anything about India, it's just borrowing it as padding in sympathetic shrapnel aimed at Western audiences. The essence of contemporary ideological escapism, however riveting technically. I don't believe anything about that movie. Boyle's obsession with the invisible hand of fate is typical from this point of view - just garish colors on an empty concrete block of a "guaranteed hit". (20/02/2011)

A Brit-Bollywood remake of the Czech fairytale movie O chytrém Honzovi (= Clever Jack). This could be called Clever Jamal or How a Poor Guy with Common Sense Found Happiness and it is extremely good and enlightening. But didn’t it bend the truth whenever it could (mainly in the live transmissions) for the crude purpose of wringing your heart strings? Yes, but who cares in a fairytale, huh kids? P.S.: And isn’t the book better than the movie? No, it’s not. Because Swarup’s work is something completely different. Some black humor, cynicism and a message that is the exact opposite of Boyle’s ever so sweet, naive candy cane. And I like that kind of thing more than fairytales... (05/01/2009)

Inexact celluloid carousel of life. Crime, fate, tension and personal drama. And above all, a cautious love story, which is precisely the decisive factor that separates Millionaire from other biographical stories. Accompanied by a soundtrack on the verge of dynamic Boyle style and a fascinating orchestra, it becomes clear that the audience needs "human stories". Thank goodness for that. (31/12/2008)

A strong story, what can I say; yet I don't know why, but it felt rather jagged, lacking. Lacking what? I don't know, I didn't find it that earth-shaking. Probably because I've seen stories like this before, heard stories like this before. Let the film enjoy its Oscars, which are well deserved I'm sure, but for me it's not the winner of the "Best Picture" category for 2008. That prize goes to a different one. (04/03/2009)

So here we have it. Bollywood has been on the rise for a long time, India has improved economically in the last ten years and the country has created a large middle class with quality education and therefore higher demands on the quality of film stories. At the same time, thanks to globalization, Bollywood producers have started to feel the need to break into foreign markets and it was necessary to come up with more sophisticated plots than the original Bollywood kitschy romances with songs and dances, which were completely indigestible for the Euro-American viewer. The film Slumdog Millionaire combines classic Bollywood motifs including romance, action, and melodrama, but at the same time brings them to the Western viewer in a very attractive way thanks to top-notch editing, excellent camerawork, casting, acting performances, and music. In terms of content, it's just a kitschy fairy tale for me, against which I could raise many legitimate objections, but considering the technical aspects, it deserves three stars. Slumdog Millionaire is not about current India and the life of its inhabitants, but about how the director and consequently the viewer want to see it. I like certain types of fairy tales, like Forrest Gump or Amelie, but Slumdog Millionaire takes itself too seriously for my taste and tries to evoke emotions where irony would be appropriate. I am not the first to notice the obvious contrivance of the plot, where the screenwriter and director interpret the rules of the game, which must have the same format globally, as it suits them, and strongly violates logic. Overall impression: 60%. The success of Boyle's film shows that the audience still wants to be moved and that the stories that the screenwriters and filmmakers came up with in the 1930s-1950s can be recycled in modified exotic settings. I have no problem with it receiving technical Oscar awards, but Slumdog Millionaire is definitely not the best film of the year. It certainly has decent craftsmanship, but art should look different. The much more justified Oscar went to last year's masterpiece by the Coen brothers No Country for Old Men. (28/03/2009)

A cleverly told fairy tale about a) luck, b) faith, c) life, d) Who Wants to be a Millionaire, which can catch a person’s attention even though they don’t particularly like this kind of sob story. This is a story about a tiny squirt Jamal whose life led him on the journey of answers, which Danny Boyle managed to capture to the very last detail. He managed beautifully to portray the ludicrousness of the civilized world, where, for instance, after one drastic scene from childhood, the show host cracks a cheap joke. The actors are well cast too, both the small ones, and Dev Patel himself, with the beautiful Frida Pinto. P.S.: Did you notice those questions aimed at an English-speaking audience at the end of the contest? (21/03/2009)

For the blown bubble. We can think of it as another Bride and Prejudice, a film that will point you towards the real India. At least A.R. Rahman and Anil Kapoor are good here. Irrfan Khan is fine, and in retrospect, it appears that Dev and Freida have a promising future. (22/02/2009)

Enthusiastic, sincere, and full of life, with captivating music and the gritty realities of Asia. But it felt like a somewhat cynical affair, where the director is well aware, despite all the spontaneity, that this is exactly what people want to see. Does it work? Obviously yes, so where’s the problem? Definitely an extraordinary film worth seeing. (01/08/2009)

Academics love their fairy tales. And because Slumdog Millionaire is a model fairy tale, they gave it eight of those golden boys. I don't blame them at all, because it's a beautiful film, and what does it matter that you know how it's going to turn out from the very beginning? Danny Boyle did an amazing job with Jamal's simple story. He impressively mixes funny episodes with dramatic ones, he lets everything be underscored by perfectly chosen music and gives us the opportunity to sit, watch, keep our fingers crossed and hold our breath during the final question (which could have been different, but then again it wouldn't have been such a nice fairy tale then, would it?) and the hint from the friend on the phone. (19/09/2010)

Un doux conte de fées avec un message dur écrit entre les lignes. Pour moi, c’était un grand moment, déjà rien que pour le cinéma dans lequel je l’ai vu – La Pagode, pas loin des Invalides – et la salle envoûtante avec son parfum d’Asie et son ambiance mythique, par ailleurs dotée d’une excellente acoustique. Je classerai les atouts principaux du film dans l’ordre suivant : 1. la musique ; 2. la réalisation ; 3. la photographie ; 4. le montage. Danny Boyle m’a fait peur avec sa science-fiction qui n’était pas à mon goût, mais heureusement, il est revenu aussitôt sur un projet séduisant et hors norme. Je suis ravi d’être allé voir son dernier film, mais je constate que, pour des raisons purement émotionnelles, La Plage reste pour moi à la première place. (14/01/2009)

I don't give 100%, but only 95%, just because I think the book is even better. However, this movie convinced me to read the book, for which I also thank it. Wonderful drama with humor that shows how amazing films can be made in India. Excellently chosen actors and everything in its place. Beautifully cruel, raw romance, a beautiful story. This is a movie that you will gladly remember from time to time, because you can always discover something extra in it. (23/12/2013)