Le Limier - Sleuth

  • États-Unis Sleuth
Bande-annonce 2
États-Unis, 2007, 86 min

Réalisation:

Kenneth Branagh

Scénario:

Harold Pinter, Anthony Shaffer (pièce de théâtre)

Photographie:

Haris Zambarloukos

Musique:

Patrick Doyle

Acteurs·trices:

Michael Caine, Jude Law, Harold Pinter
(autres professions)

Résumés(1)

Milo Tindle (Jude Law), un jeune comédien au chômage, se rend chez Andrew Wyke (Michael Caine), millionnaire et auteur de romans policiers. Son objectif : convaincre le romancier de divorcer de son épouse avec qui il vit désormais. Contre toute attente, Wyke accepte. A une condition cependant : Tindle devra l'aider à simuler le cambriolage de sa propriété, afin de toucher l'argent de l'assurance... C'est le début d'un duel implacable entre deux intelligences rivales, entre deux hommes qui sont peut-être moins opposés qu'il n'y paraît... (Sony Pictures Releasing France)

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Critiques (3)

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais A series of modest ratings and critical comments led me toward skepticism and low expectations, which fortunately were not confirmed. To criticize the theatricality of this piece, which is truly based on a play and moreover takes place entirely indoors, is like criticizing a film set on a ship for having an excess of water. Compared to the original version, the remake is less playful, and the original film drew inspiration from classic detective stories written by authors such as Agatha Christie and respected the concept of the game. Both players were fascinated by the game and were willing to sacrifice a lot for its principles. Additionally, the element of traditional social division was also present. These two men were deeply divided by societal class and the plot was driven forward by their unwillingness to acknowledge the abilities of the seemingly stronger intruder and thus jeopardize their aristocratic social status. Here, the crime comedy is suppressed and instead, a psychological drama between two men from different social groups emerges, in which the wealthier one tries to manipulate the other. As a whole, it is colder, and the idea that everything can be bought is reflected in the cold lighting that dampens emotions. On the other hand, the cat and mouse game is preserved, and above all, we do get a showcase of excellent acting from two great actors of different generations. However, what fit perfectly together in the original version feels slightly off in the modern version. The final shot adds a bit too much compared to the first film. Overall impression: 75%. ()

D.Moore 

Toutes les critiques de l’utilisateur·trice

anglais Sleuth is not a bad film, as a remake it is quite good, but it has the misfortune that the original is simply several classes better. If you give me a choice between Olivier/Caine and Caine/Law, I'll always choose the former because it suits me better. Branagh clearly did his best in the director's chair to make the new Sleuth more interesting, even in the moments when there is somewhat unnecessary blabber the screen (yes, there are a few such dialogues), the atmosphere is also lifted by the great music by Patrick Doyle, both gentlemen definitely don’t act badly... But compared to the original, it's just weak = cold, sterile and at times almost as funny as a corpse on an autopsy table. ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais I admire movies that can film with minimal characters. "Sleuth" only needs two actors. By the way, two excellent actors. Michael Caine and Jude Law deliver a great, literally suspenseful, interesting, and psychological performance. I am curious about the original movie from 1972 because this one is truly excellent. ()