VOD (1)

Résumés(1)

Londres, 1937. Laura Henderson vient tout juste d'enterrer son cher époux et... elle s'ennuie à mourir. Que faire de sa vie quand, à soixante-neuf ans, on est riche, en bonne santé, et qu'on ne cultive aucun goût excessif pour la nostalgie ? À la surprise générale, Mme Henderson décide d'acheter un théâtre au coeur de Soho: le Windmill. Totalement ignorante des histoires de gestion d'une salle de spectacles, elle fait appel au talentueux Vivian Van Damm, directeur artistique et administrateur chevronné. Les deux fortes personnalités ne tardent pas à se heurter, et Van Damm, choqué par les excentricités et les mauvaises manières de Mme Henderson, va jusqu'à lui interdire l'accès du Windmill ! Cette étrange et fiévreuse relation ne tardera cependant pas à porter ses fruits. Mieux, elle bouleversera très vite les frileuses habitudes du théâtre britannique ! (texte officiel du distributeur)

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Critiques (3)

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais Members of the wealthy elite often feel the need to show their human face and gain the sympathy of those below them. Both the screenwriter and director try their best, but I cannot shake the intense feeling that I am watching a stubborn and arrogant lady who is capable of driving her Indian servant to desperation and trampling on her surroundings with the same passion with which she seized the opportunity to save the theater scene. I did not find a way to connect with the character portrayed by Judi Dench, and it was only slightly better with Bob Hoskins. Furthermore, the combination of patriotism and a brothel selling erotica does not seem all that kosher to me, and where the creators feel they have captured the strongest patriotic moment, I feel unsettled. Considering the environment in which the story takes place and the names the director has at his disposal, I see untapped potential. Overall impression: 55%. ()

NinadeL 

Toutes les critiques de l’utilisateur·trice

anglais In Mrs. Henderson Presents, we get successful period piece by Stephen Frears about the glory years of the Windmill Theater, the famous nude revue theater that had a fascinating era in the 1930s and remained open during the wartime bombing of London. I am not surprised that it eventually became a musical piece, because the style of London follies is simply attractive. ()

D.Moore 

Toutes les critiques de l’utilisateur·trice

anglais A superbly filmed and performed masterclass by Judi Dench and Bob Hoskins. The characters other than the energetic, stubborn lady and the resolute impresario hardly matter, everything revolves around them, they are the two islands of security in war-torn London. And that’s not bad, at all. ()