Paris, Texas

Bande-annonce 1
Grande-Bretagne / France / Allemagne de l'Ouest / États-Unis, 1984, 147 min

Résumés(1)

Au milieu du désert texan, Travis, un homme que l'on croyait mort, réapparaît. Harassé, il s'évanouit, pour se réveiller à l'hôpital. Prévenu, son frère Walt le retrouve muet et amnésique après quatre années d'errance. Chez Walt, Travis retrouve Hunter, son fils de 8 ans que Jane, sa jeune femme, a mystérieusement abandonné quatre ans auparavant. Peu à peu, Travis reconquiert sa mémoire et son identité. Il tente de regagner l'affection de son fils. Ses efforts sont d'abord accueillis avec méfiance par le gamin, qui, peu à peu, pourtant, consent à aimer ce père étrange. Travis part avec lui à la recherche de Jane, qui travaille dans un peep-show de Houston... (Tamasa Distribution)

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Critiques (4)

POMO 

Toutes les critiques de l’utilisateur·trice

français Pourquoi Paris, Texas est-il aussi infiniment lent que les immenses plaines du Texas, ornées de verdure et d'un ciel bleu qui, pendant l'hiver morne à Prague, agissent comme un baume pour l'âme du spectateur ? Parce que cette merveilleuse conclusion, coupant le souffle et ne laissant pas les yeux secs, nous devons la mériter. Et en plus de cela, la jeune Nastassja Kinski, semblable à l'amour de ma jeunesse. ()

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais This road movie is considered to be Wim Wenders' best film and I basically agree with that. It is a very slow film that relies on atmosphere, camera work that utilizes amazing American exteriors, and the ability to perfectly capture subtly conveyed emotions of the film's characters. Above all, it relies on perfectly chosen music, which complements the story. The actors we cast well and have precise acting performances. Harry Dean Stanton is beautifully worn out, Nastassja Kinski is fragile and innocent even during her performance in a peep show, and the child actor performs flawlessly. Overall impression: 90%. It is a film about the breakdown of a marriage and an attempt to return, if not to the role of a partner, then at least to the role of a parent. ()

lamps 

Toutes les critiques de l’utilisateur·trice

anglais A remarkable cinematic experience that pushes itself into our subconscious through its slow pace and the very restrained performances of the leading quartet in a very tedious but at the same time masterful way. Although I was mostly searching in vain for themes in this peculiar journey of self-discovery that would knock me down with their power and presentation, the novel formal aspect led by the perfect cinematography, the beautiful setting and the corresponding banjo music, and my great weakness for such creative escapades kept the star rating in the upper floors this time. I'm quite sorry, though, that the expected highly moving conclusion left me suspiciously cold, but at least it fit naturally into the overall easygoing context. 75% ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais This film is very well directed and of course very well written, but due to its slow pace, I simply couldn't get into it. Harry Dean Stanton is absolutely brilliant here, his dialogue with Nastassja Kinski is the highlight of the film, but it simply didn't evoke the necessary emotions in me, or rather not to the extent it should have. ()