Lynch/Oz

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Résumés(1)

Alexandre O. Philippe a invité six critiques de cinéma et cinéastes américains et leur a donné carte blanche pour explorer leur propre théorie sur la relation entre Lynch et Oz. Les participants incluent Karyn Kusama, John Waters, Amy Nicholson. Six nouvelles perspectives et six nouvelles façons de considérer comment l'influence et l'inspiration affectent le processus créatif. (Orange Cinéma Séries)

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Critiques (2)

Goldbeater 

Toutes les critiques de l’utilisateur·trice

français Alexandre O. Philippe nous livre une nouvelle fois une gâterie documentaire pour cinéphiles, avec un concept encore différent, toujours génialement fonctionnel, dans laquelle six cinéastes et experts, à travers six chapitres, analysent dans un style libre l'influence du Magicien d'Oz de 1939 sur la filmographie mondiale et notamment sur l'œuvre de David Lynch. Il regorge d'informations, d'interprétations intéressantes, de sentiments personnels et, bien sûr, d'un véritable engouement du public. Que demande le peuple ? [KVIFF 2022] ()

lamps 

Toutes les critiques de l’utilisateur·trice

anglais "You may find Lynch's mysterious work even more mysterious after the screening," director Philippe promised before the screening in Kalovy Vary, and he was right. The ninety-five-minute documentary offers a lucid and insightful whirlwind of theories that, from the perspective of scholars and avid fans of Lynch's work, discuss various thematic, stylistic, and pop culture parallels to the classic film that first took us "over the rainbow" in 1939. This uncommon reading of Lynch's poetics is extremely refreshing, especially for cinephiles, and although the documentary occasionally strays too far into the purely personal and subjective feelings of the narrators, it doesn't run out of supporting arguments and doesn't lose its power as an exciting ode to the endless process of creative inspiration. It connects the entire body of cinema into an intertwined cycle that is a joy to think about and unravel. Especially in the interpretation of Philippe and the various thought-provoking analysts, among whom stand out David Lowery (director of The Green Knight) with his sense of defining directorial hallmarks and especially John Waters, who even half a century after making Pink Flamingos has not lost his sharp wit and eloquence. After watching it, you immediately want to revisit most of the films or series discussed and find new things in them, following the documentary's example. And that in itself is a clear creative triumph. ()

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