novoten

Dear, naive and irresistible, just like the main heroine. Moreover, Swayze will remain an idol for several decades to come. I love sweet and painful romance more than any other genre and I cannot let go of this sweet treat. And whoever says they don't like it, secretly still watches it.

The best film by Jim Carrey and one of the best comedies I know (which I would possibly still include in the top twenty films of my life when I was fifteen), moreover with the unbeatable and cult dubbing by Bohdan Tůma. The first appearance of Cameron Diaz when entering the bank always fascinated me during my puberty... and actually still does. 100% accurate for the type of film that you loved when you were younger and never grow tired of.

A brilliantly layered comedy and romance, with Ben Affleck's captivating performance and Silent Bob's perfectly fitting monologue. However, what about the crucial scene towards the end, when Holden makes a crazy proposal? I couldn't digest this shortcut, and without it, Amy could have become one of the best romantic comedies I know. It's full of magical moments (Alyssa singing on stage and Affleck beginning to have a silly smile on his face, until Jason Lee comes and gives him a piercing look), but the more I think about the ending, the more it frustrates me.

Unlike previous Smith's films, the uninitiated will be completely and irreversibly lost. Up until the second Clerks, Kevin's best film with a solid rhythm of great jokes - three brilliant jokes.

Bigger, rougher, and more action-packed may not always be harmful and ruin the impression of the first part. With the angels, there is nothing to ruin because I avoid the first one by several kilometers. The stupid bantering is surprisingly bearable this time, and the action is not only watchable but even great. Moreover, the central trio gained a lot of sex appeal with a shovel.

Hitchcock as usual perfectly constructs the atmosphere, but nevertheless I was disappointed this time. In the introduction, Roger's paranoia fulfills all expectations (and Fincher was truly inspired by The Game), but the premature climax comes in the cult scene with the crop-dusting plane. Afterwards, it rather just weaves and weaves, only to finally reach a traditionally suspenseful finale. However, after two hours of intrigue, it does not resonate urgently enough.

The film director sometimes makes a mistake, and Zemeckis experienced it for the first time in his career right here. I do like dark humor, as well as sarcasm and exaggeration, but in this case, the particular elements were not properly dosed.

Although the first part was more consistent, the sequel does not bring any embarrassing shame to it. Frank adds a few successful lines, puts the locker on his knees at the station, and if it weren't for the final ending, MIIB would be much more tolerable. Thanks to the fast-paced action, however, it remains tasteless on the tongue.

At the moment when the accident of the trains took place on the screen, I definitively forgave Singer for the great heartache in the form of escaping from my beloved party of mutants. In front of me, an authentic comic drama with elaborate psychology began to unfold slowly but surely, also seamlessly intertwined with two classic first parts. I would really like to have a continuation in this spirit because Routh is a true hero as Kal-El and Kevin Spacey is a perfect bald menace. Moreover, the whole spirit of the film is characterized by the fact that Superman returns only as a prologue to potential sequels. However, as much as Singer played this part brilliantly, the audience does not hear it, and therefore neither do the producers. And that's why this nostalgic (although quite selfish towards new viewers) way of continuing the legend remained just a blind but subjectively perfect alleyway.

Everything gets tired over time, including Jean Reno's tough expression and Christian Clavier's confusion. Especially when both appear in a gray attempt to repeat the fresh Operation Corned Beef. On the other hand, thanks to the duo of actors, the case is undemanding and watchable without harm, although very easily forgettable.