D.Moore

Michael Caine and Max von Sydow's dialogues are sensational (as is Sydow's scene at the end). The whole film is a sporting variation on the legendary The Great Escape, Stallone's character even resembles Steve McQueen in some ways, but I didn't mind that at all. I'm not a big football fan (and maybe that's why I liked the film so much, if I ignored the mistakes), but Victory is one of my favorite WWII escape-themed films. I round up three and a half stars for the best soundtrack Bill Conti ever composed.

On the whole an enjoyable and unpretentious rom-com with good actors, jokes and an idea that would like to be original but doesn't quite succeed. Uma Thurman is gorgeous, Jeffrey Dean Morgan is a likeable boor, and Colin Firth is, well, Colin Firth. The film is pure average, which is no shame.

Damn, five stars is not enough! I wonder if I've ever seen a more original and idea-packed short! The Oscar is well deserved, I managed to watch the film four times in a row, which killed an hour of my free time, but that didn't matter at all. I've noticed lots and lots of new details each time, and I'm convinced there are plenty more to come. I recommend it to everyone.

Moore's first Bond deserves about 3.5 stars. It has a great beginning (I love the scene with the "black" funeral), but then it gets a bit long-winded. The McCartney song is really one of the best, but outside of that the film lacks proper music. Plus, I wasn't charmed by any of the dumb Bond girls. Why should you see Live and Let Die? Apart from the fact that Moore takes the reins from Connery quite professionally, this Bond film is mainly a long (but certainly not boring) scene that starts on a crocodile farm and continues with a chase on motor boats, then a practical demonstration that even a double-decker bus can be skidded, then a slightly unconventional flying lesson and a pretty decent ending, which is spoiled by an awkward "inflatable disposal of the main villain. P.S. I kind of missed Q, although I know that Live and Let Die isn't the only Bond film he hasn't appeared in. But the fact that he was talked about didn't make up for a visit to his crazy department this time.

I don't know the Italian original, but if it's better, I can't imagine how. Everybody's Fine is a film that must grab everyone's heart. Not just people who have parent/child issues. De Niro gives a great performance, his "old man" is exactly what you expect - smiling, suspicious, often disappointed and now and then dog-eyed, yet still searching for the meaning of everything that is happening around him. I give it four stars and a bit of a fifth because I was incredibly moved by the whole thing... And I don't just mean the "Why did you lie to me?" scene from the table talk. I would never have imagined what the sight of ordinary telephone wires can do to a person. Actually, sorry, I mean their PVC packaging. Are you looking for a drama that will make you laugh, think and move you, and after which you will leave the movie theater satisfied with a smile on your lips? Here you go.

This remake (Remake? It has only the name of the protagonist, gold and Mini Coopers in common with the original film) succeeded. It's a film full of likable characters, a fast and funny action spectacle with good music and cool (though not innovative, admittedly) staged scenes of robberies and preparations for them. Wahlberg, Statham, Theron, Def... They're all likeable. I've never liked Norton, so I quite enjoy him as the villain here. So I'm it giving three and a bit. About the scene with the Mini Cooper - the original is better, much more imaginative and somehow even funnier. But there's nothing you can do about it - there's only one original.

I'll say right now that if it weren't for the phone ending, Crank would get a Boo! Why so ruthless, you ask? The film has a great idea, it's based on a really original idea (which is to be damn appreciated), but why on earth is it filmed in such a... Hmm... Neutered way? I like Statham, I trust him in badass roles, but I had a huge problem with him here. He kept one expression throughout the film that annoyed me to no end... The way he tried to look pissed off at all costs was awkward. Normally, I have nothing against vulgarity and violence, but it has to be appropriate and there has to be a reason for it. But there was no reason for 90% of all the shooting, fucking in the street, erections and the like. Crank is a B-movie that can't be denied its momentum and swing - it gets going at the beginning and stops after an hour and a half - but it's terribly empty and can (and did) get severely boring after half an hour.

Get Carter could be a prime example of the differences between American and British films, or between films made 40 years ago and today. Compared to the great original, this remake is pretty weak. It lacks any thought and atmosphere, we just watch one pissed off guy beating on people all the time, and sometimes he learns something from one of them (or not, but what the hell). From my point of view, it's saved mainly by Stallone, who is exemplarily tough (although he doesn't show anything else on screen), Michael Caine and Mickey Rourke, who are only half trying to act, but they do act, and the music, which nicely revived the addictive theme from the original Carter... and that's it. Why the filmmakers chose a completely different (!) ending from the original remains a mystery to me. When I get to the book one day, I'm sure it will end in a "British" way, I know it... Carter's score: Two and a half stars.

What can I say about Dr. Strangelove? It's a film by one of my favorite directors, starring one of my favorite actors in several roles, the subject matter is a satirical Cold War comedy, which is (what a coincidence) one of my favorite subjects... What, you haven't seen it yet? "I'm walking!"

THE MINISTRY OF BODILY FLUIDS WARNS: DON'T EAT WHILE WATCHING THIS MOVIE! Hooray, hooray, four absolutely pure and honestly deserved stars! Sam Raimi has forgotten about the awkward Spider-Man and returned to where we love him best. Among the dead and the undead, in dark houses, in dug up cemeteries in a heavy downpour... Drag Me to Hell is almost a perfect horror film, which I ate up like a raspberry thanks to its reasonable length. Suspenseful scenes are interspersed with even more suspenseful ones, with every scare leading to the proverbial hand (you learn, for example, how to use a stapler in self-defense, or that goats can talk when it comes to them), and the whole film is conceived as a super-fun reminder of the work of the late 80s and early 90s. Moreover, Raimi can afford to employ actors who know how to act, and he was lucky enough to have a sensational atmospheric score. It should be noted that the gypsy witch is one of the most repulsive characters of all time. And being a person who hates any bodily fluids besides blood, I really preferred not to watch some of the scenes with this content. Disgusting. But I'll watch it again.