Résumés(1)

Seventeen-year-old Ola (Zofia Stafiej) travels to Ireland to bring her father’s body back to Poland after he died working on a construction site. But never mind her dad, Ola wants to know if he saved money for the car he had promised. In a foreign country all by herself, Ola will have the trip of her lifetime, a journey into the unknown, on which she will try to reconnect with her estranged father. In Ireland, she will come to know a different world and meet people who will change her approach to life. (Eureka Entertainment)

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Critiques (2)

POMO 

Toutes les critiques de l’utilisateur·trice

français Tristesse et impuissance sous le masque de la rébellion adolescente. Le sujet du drame classique « tiré de la vie », mais avec une réalisation réfléchie, immersive et puissante. Des dialogues percutants, une interprétation brillante de Zofia Stafiej dans le rôle principal - une dévotion sans hésitation dans une performance d'actrice exigeante et tendue. Le scénario ne se complaît pas seulement dans la situation sombre, comme le feraient de nombreux créateurs, mais guide le personnage principal pas à pas, de personnage en personnage et de lieu en lieu, dans une vaine tentative de comprendre le monde dans lequel son père récemment décédé et longtemps aliéné a vécu. Cette excursion formelle dans un pays étranger pour son corps mort devient ainsi un événement essentiel dans sa maturation. Vous le vivrez avec elle. [3Kino Fest] JEREMIE ()

Necrotongue 

Toutes les critiques de l’utilisateur·trice

anglais I thought this was going to be another typical coming-of-age story of a teenage girl who’s searching. Searching for her place in life, a purpose, a way to escape a consumerist society, freedom – searching and searching and searching while making everyone's life a living hell. The Polish filmmakers, however, came up with a different story. The main character was indeed searching (somewhat belatedly) for a way to her father. She was a bit selfish, didn’t give a crap about the environment, and had trouble saying please or thank you at least occasionally, but I found her very relatable, much to my own surprise. In the end, it turned out to be a very different film from what I was expecting. While it wasn't exactly an action-packed film full of suspense, I oddly couldn't tear myself away from it. Polish cinema deserves praise yet again. I really liked Zofia Stafiej in her debut. This being her first role, it sure was a tough job. / Lesson learned: If you're going to transport a body, do it only in powder form. ()