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Diane vit seule à l’Ouest du Massachusetts, prenant soin des autres en passant toujours après eux. La solitude ouvre sur de nouvelles formes de perception et d’existence, où passé et présent s’entrechoquent et où les gens vont et viennent. Voyant sa vie disparaître sous ses yeux, Diane est confrontée à la possibilité du pardon. (Locarno Festival)

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anglais In his belated feature-film directorial debut, former film critic and documentary filmmaker Kent Jones offers a sensitive character study of a working woman from a small city who forgets to take care of herself as you she takes care of others. With every scene, this long-resonating, stylistically unobtrusive film is remarkably rich in meaning. Diane relies on a highly subjective narrative, the director’s sense of detail and the deeply felt acting of Mary Kay Place, which strengthens our affinity for the main protagonist while contributing to doubtfulness with respect to her mental health. The film is also valuable due to the matter-of-factness with which it states that at the end of our life story, no major point will be revealed, but only death in loneliness. 80% ()

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