How Not to Screw Up Your Life

(titre de festival) (série)
  • Tchéquie Jak si nepodělat život
Drame / Comédie / Psychologique
Tchéquie, 2019, 5 h 20 min (Durée : 74–84 min)

Acteurs·trices:

Ondřej Vetchý, Eva Hacurová, Tereza Brodská, Miroslav Krobot, Eliška Křenková, Marika Šoposká, Vít Gajdoš, Jan Jankovský, Petr Motloch, Radek Bruna (plus)
(autres professions)

Épisodes(4)

Critique de l’utilisateur·trice NinadeL pour cette série (4)

Až budou krávy lítat (2019) (E01) 

anglais Probably an unlikely story, but one that has a firm place in the modern stories of today. Conditions in a small-town elementary school will always be exciting; we all have enough of those little big men, hypocritical teachers, crooked principals, and rambunctious kids around us. The story of the burlesque milieu is refreshing, and it is portrayed attractively enough to inspire someone who is interested enough to follow in its footsteps. Some of the characters rustle paper, others seem like they are taken directly from life. The Jan Kraus show is cleverly incorporated into it. ()

Nonstop lahůdky (2019) (E02) 

anglais Non-stop Deli is a big little TV show. All the characters have interconnected destinies, they don't stray too far from each other and the whole thing stands and falls on dialogues about the meaning of life. As an idea, it's not bad, and the Kopta/Sedláčková duo has significant comic potential, and fortunately, they don't fall into parody. ()

Můj bezvadnej život (2019) (E03) 

anglais A very good little big TV movie that could stand on its own. After all, the course of the protagonist's mysterious illness is more than realistic, although the finale is rather ridiculous. But as a solo Brodská film, it's ideal. ()

Beze stopy (2019) (E04) 

anglais An excellent encounter with Vetchý's solo concert. It has a good idea, interesting work with the Czech landscape, a different view of what television should be about. But as it happens, once someone stands out like that, it's not exactly easy to choose appropriate acting partners for them. In another combination, I would have considered Václav Švarc a promising youngster, but this way all the scenes that relied only on him or on the useless Šoposká (who has been equally useless for years) were truly about nothing. In the future, Vetchý should probably take more classical roles, and little Vítek Gajdoš as his partner would be good enough. ()