13 Reasons Why

Try to imagine Beverly Hills 90210 as flawlessly cast and brilliantly paced film noir. 13 Reasons Why has the most in common with the work of Gregg Araki (not only because of the excellent soundtrack that provides commentary on what the protagonists are experiencing), who directed two episodes. The characters include most of the types known from high-school movies since at least Grease (which Tony seems to have come straight out of with his hairstyle and outfit), but the series portrays them with unusual sincerity and perceptiveness, handling them in a rather unpredictable way and viewing their decisions in broader contexts (social and economic), so that in the case of most of them, we better understand why they behave the way they do. ___ The gradual untangling of the tightly woven web of social ties runs in parallel with the revealing of who all contributed to Hannah's suicide, thus bringing about the revelation that no one (including the outsider protagonist or the adults) was actually completely blameless, even though the wrongdoing consisted only in a lack of empathy. The decision to build the whodunit narrative on a melodramatic, slightly emo foundation works also thanks to the fact that Clay gets caught up in the narrative and, during the “investigation”, experiences something similar to what Hannah endured. He essentially becomes her avatar, who does what she can no longer do. On the stylistic level, the interconnectedness of the past and present is reflected in the seamless transitions between “then” and “now” – for example, merely by changing the colour tone (cool colours for the present, warm for the past) – and the graphic continuity of two adjacent shots that are actually separated by several weeks/months (the presence/absence of the scar on Clay’s forehead serves well for orientation in the timeline). The suspenseful nature of the narrative is also aided by the varying degrees of the individual character’s awareness – whereas others have already played all of the tapes and sometimes refer to something that will be explained only several episodes later, Clay remains in the dark (and we along with him). ___ To some viewers, the series, which focuses primarily on themes such as rape, sexism, depression, alcoholism and bullying, may seem exceedingly dark, if not exploitative, but in light of the fact that its creators strive for realism mainly in the development of characters rather than in depicting a fictional world (which is deliberately somewhat of a model) and the story is for the most part told and its direction determined by the main victim of most of the physical and psychological abuse, who finds herself pushed beyond the limits of her possibilities, the chosen tone and naturalism in the depiction of said abuse makes sense (regardless of whether we consider Hannah, in the words of one of the characters, to be a “drama queen”). ___ One more introductory episode in which we would have seen Hannah through the eyes of her classmates would have been appreciated, as it would have later been more apparent that their distorted view of her was due to their ignorance of her circumstances. The suggestions that Hannah was an unreliable narrator and her version of the stories was actually only “one side of the tape” could also have been elaborated upon. Of course, there would have been more to it (the occasionally somewhat cheesy dialogue, Hannah as the embodiment of boys’ fantasies of an unusual, sarcastic and sexy girl), but it is still a stylistically mature, narratively remarkable and, in its comprehension of the issue of teen angst, adult series, and it will take me a while to recover from its devastating finale (by which I don't mean the last few minutes, but the final three episodes). (03/04/2017) (moins) (plus)