Le Crocodile de la mort

  • États-Unis Eaten Alive (plus)
Bande-annonce

Résumés(1)

Dans le Sud profond des États-Unis, une jeune prostituée trouve refuge à l’hôtel Starlight, une vieille bâtisse miteuse à la lisière des marais. Son propriétaire, Judd, est un excentrique un peu simplet qui a pour animal de compagnie un crocodile originaire d’Afrique. La jeune femme ignore que Judd est en réalité un dangereux psychopathe qui assassine tous les clients de l’hôtel pour nourrir son crocodile… (Carlotta Films)

(plus)

Critiques (2)

lamps 

Toutes les critiques de l’utilisateur·trice

anglais Hooper fascinates me, first he makes the best horror film of all time, where every aspect works to perfection and fulfils its purpose, and then he produces something not unlike the limited fantasies of a patient of a polio sanatory. Every now and then a glimmer of an interesting idea flashes through, and it reeks of a kind of reverence for the classics of the genre in addition to narcissistic self-reference, but this sort of desecration of intelligence and taste is the last thing classics (including Hooper's previous film) deserve. There is a lack of logic, a lack of characters that aren't moronic, and a complete lack of necessary perspective. And a pair of boobs and one Robert Englund wisecrack are not enough to save it. ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais Yes, Hooper tried to smuggle in some different elements into the film, there are scenes that are noticeably well done, especially the chase of the little girl with the scythe in hand, but suddenly you realize that this actually doesn't differ much from "The Texas Chainsaw Massacre" and Hooper himself began to plagiarize his masterpiece three years later. Of course, he had the right to do so, others did it too and much worse, but nowadays this film probably won't succeed with the majority of the audience, mainly due to the lack of a story. Those few really good scenes won't save it. ()