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Manny Ballestro gagne tant bien que mal sa vie en tant que contrebassiste dans un club de jazz new-yorkais. Père de famille sans histoire, il est un jour interpellé par les employés d’une agence. Ceux-ci affirment le reconnaître et l’accusent d’avoir commis plusieurs braquages. Reconnu à chaque fois par des témoins, il devient alors le principal suspect d’une série de crimes. Plus Many clame son innocence, plus l’étau se resserre autour de lui. (LaCinetek)

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gudaulin 

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anglais Professional period filmmaking, quality camera work, careful selection of actors, decent editing, and film techniques with special effects that are simply from the mid-1950s. Simply Hitchcock, as we know him. The opening shots create a pleasant bourgeois atmosphere of a happy middle-class family, only to be followed by an unexpected encounter, accusations of a crime, and a harrowing journey to clear one's name. The screenplay avoids over-complication and obvious mistakes, and the film can rely on the excellent performance of Henry Fonda in the lead role. His eyes and facial expressions perfectly correspond to a person going through a serious life crisis. Everything is accompanied by emotive film music. Overall impression: 75%. This is one of those films that hasn't significantly aged. ()

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