Baccalauréat

51st KVIFF - exactly what you expect from Mungiu, nothing more than that, unfortunately. (06/07/2016)

Do you know the saying that anything that can go wrong will go wrong? So the Graduation is a movie about that everything what can possibly go wrong will. And not only once but multiple times. Mungiu is really good at making movies, that's for sure. The problem is that, as in the case of 4 months, the escalating personal tragedy itself serves as a means of reflecting the society and the conditions. But where in 4 months it went nicely hand in hand together and it was always mainly about those characters, it works here in an exact opposite way. As if the story only served as a justification for more and more overlapping comments and the fate of a doctor whose journey to hell is paved with good intentions, are somehow extra and sidelined here. And it is in the mode of "I go after this and that, bit by bit I retreat from my principles and succumb to the corruption that is on every corner and I'm more and more stuck in a self-destructive spiral" considerably repetitive or in other words kind of annoying *boring*. (15/07/2016)

Somehow I can't get along with the Romanian New Wave. It bothers me that once again the film becomes a movie in the last act, when before it was just an exposition of the bleak relationships and conditions in contemporary Romania. And this is shot in a raw, civil method with very few clues, where the only thing that holds your interest is the promise of an ending where everything comes full circle. While this method has its perks, here capitalizing especially on the scenes of the horrific relationship between the protagonist and his wife, it makes each scene lack anything more than that first layer, where the two figurines pass on information that will be useful in the final reckoning (which, fortunately, doesn't come, which is quite nice). Moreover, it seems to me that contemporary Romanian cinema is floundering in the same "desperate, stupid people in a desperate, stupid country" morass over and over again and not really going anywhere. Which actually makes the film thematize itself in an arch way. Isn't that fun? Well, actually, not much. (20/07/2017)

Défi ciné 2018 : la Roumanie. Les Roumains et Cristian Mungiu font à nouveau des prouesses. L’histoire, qui est remarquablement structurée et mise en scène, relate la réalité roumaine contemporaine tout en posant à chacun, peu importe où il vit, une série de questions fondamentales par le biais de dialogues aussi longs que bien pensés. De cette œuvre véritablement magistrale, je retiendrai l’échange entre Romeo et sa mère qui portait sur la question du cheminement de vie de la fille de Romeo. Et une fois de plus, j’ai pu constater à quel point le roumain ressemble aux autres langues romanes telles que le français et l’italien. (13/05/2018)