La Bonne Année

  • Italie Una donna e una canaglia (plus)
Bande-annonce

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Résumés(1)

Libéré à l'occasion d'une amnistie de fin d'année, Simon entreprend d'organiser le casse du siècle avec son compère Charlot. Leur cible : une bijouterie de luxe sur la Croisette. Dans un premier temps, les deux hommes se préparent minutieusement, surveillant le moindre mouvement dans la joaillerie. Mais au grand dam de Charlot, le regard de Simon se porte bientôt sur la séduisante et très raffinée antiquaire qui travaille à côté... (Arte)

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Critiques (1)

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais With every new film by Claude Lelouch, the French director climbs up my chart, and I have no choice but to include him in my top favorites. It is a case of quality clever filmmaking that doesn't spare the viewer, so even in a genre film, it must engage your brain. A quality screenplay combined with an excellent cast and sensitive direction gave rise to a crime story combined with a love story. As is customary for Lelouch, from the first scene, he pays tribute to the art of cinema, as convicts watch a film screening and, in several dialogues, the characters discuss their relationship with films. Thematically, Lelouch builds upon his earlier film A Man and a Woman. This time, however, he places his story in a more attractive framework of the preparation of a crime. Pleasant and credible dialogues, subtle gags, and a decent pace. Overall impression: 90%. Lelouch doesn't make bad movies, but so far, I have only given his past films four strong stars. This time, with a clear conscience, I give five. ()