Top of the Lake

(série)
  • Canada Au bout du lac (plus)
Spot TV 1
Australie / Grande-Bretagne / Nouvelle-Zélande / États-Unis, (2013–2017), 11 h 6 min (Durée : 45–60 min)

Scénario:

Jane Campion, Gerard Lee

Musique:

Mark Bradshaw

Acteurs·trices:

Elisabeth Moss, Thomas M. Wright, Holly Hunter, Peter Mullan, Michelle Ang, Jacek Koman, David Wenham, Jay Ryan, Cohen Holloway, Lucy Lawless (plus)
(autres professions)

Saisons(2) / Épisodes(13)

Résumés(1)

Tui, une jeune fille âgée de 12 ans et enceinte de 5 mois, disparaît après avoir été retrouvée dans les eaux gelées d'un lac du coin. Chargée de l'enquête, la détective Robin Griffin se heurte très rapidement à Matt Mitcham, le père de la jeune disparue qui se trouve être aussi un baron de la drogue mais aussi à G.J., une gourou agissant dans un camp pour femmes. Très délicate, l'affaire finit par avoir des incidences personnelles sur Robin Griffin, testant sans cesse ses limites et ses émotions... (Arte)

(plus)

Critique de l’utilisateur·trice gudaulin pour cette série (1)

Top of the Lake – China Girl (2017) (S02) 

anglais I have only seen the 2nd season and it is quite possible that the first season of Top the Lake is significantly better - after all, the quality of the scripts of Westworld seasons 1 and 2 is divided by at least half a galaxy - but after a disappointing experience with China Girl, I don't have the slightest courage to risk a collision with something so clumsily written. It is a mystery to me how the series deserves such wide publicity because when watching the series characters, I felt as if Saga Noren's psychiatric diagnosis from The Bridge series was a contagious disease and an epidemic broke out among the antipodes. I practically always had a feeling of inappropriateness, and the behavior of the characters lacked internal logic and their emotional reactions were strange, as if influenced by drug intoxication. Jane Campion is not a skillful storyteller, but everything cannot be attributed to stylistic flaws. During the attack of the wild wheelchair user, I had the impression that the creative tandem openly made fun of me. Of all the feminist works of the last decade, which conjugate gender in every way, China Girl appears to me to be unquestionably the weakest and fails as a crime thriller as well as a social drama. The only bright spot was the presence of the likable and unique Elisabeth Moss in the lead role. With a different script, her casting could have meant a victory. Overall impression: 25%. ()