Keby bolo keby

It's been a long time since I got so caught up in a TV story that I absorbed it almost in one go. Thanks to the fact that they bet on Aňa Geislerová’s face, the rest of it was very different, but let's leave that aside. PR departments are usually run by idiots anyway. I'm therefore excited and looking forward to the next season. You don't see a series so alive, funny, dramatic and so skillfully shot very often. I love Zuzana Fialová and Ján Koleník's relationship for the believability of each moment. I'm a fan of the Taxi household, and I've experienced a lot of tension with the more socially-vulnerable Kubíček. It was nice to see Hanák again and for the first time I didn't mind Stanková. If you want to try something different, this series is the ideal choice. The worldly style and only minimally distant environment, which is exotic enough, though, are refreshing. (09/01/2019)

Season 2 is available two years later and offers equally attractive episodes directly following the release of Igor Gáborík from prison. A new face is Monika Hilmerová's stewardess Eva, a very sexy and cunning character. It shakes up the relationship of the divorced Kubíček couple. Otherwise, everything is the same, only the runtime is two episodes shorter and the soundtrack has gotten a bit out of hand again. Diana Mórová's storyline is great, and of course, the traditional attempt to make everything better and bigger is very attention-grabbing here and there, so every episode has a memorable cliffhanger, and the return of Adela and Simona to the scene is excellent. Once again, at the end, it became clear that a 3rd season would certainly have been welcome, absolutely without fail, because it's played out to perfection. (09/01/2019)