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Moon Geun-yeong, 21, plays Shin and Park Shin-yang, 40, plays her mentor, who later falls in love with her. Though in real life Shin (1758-early 19th century) and Kim (born in 1745) were both men, the historic drama adds a fictitious twist. Shin is a young lady whose father has died under suspicious circumstances, and she disguises herself as a man to solve the mystery. She becomes a member of the dohwaseo, a government-based royal painting institute. Women were not allowed to paint during the Joseon Dynasty. With Kim's help, she investigates her father's death. In the series, Moon wears gat, a traditional cylindrical hat formerly worn by married gentlemen, and dopo, a gentleman's robe. (texte officiel du distributeur)

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Critiques (1)

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anglais An ending musical theme that captures almost the entire mood of the series. I've become very fond of the "Gender Bender" genre lately (especially in manga and anime, where it looks convincing, but I'm still trying out the live-action stuff, as you can see), and if I hadn't known the main character was a girl I would have assumed she was a boy, completely without thinking twice, of course. Pirkaf has already said most of it and I agree :-) I just have to mention that the character I was rooting for, and who I liked from the very beginning, was not one of the painters, but Choi Soo-han, who ably – along with the painters – abstained from intrigues and then took them up himself, and successfully! :-) At times it may seem too melancholic and slow-moving, but you will survive, and gladly. What fascinated me was the art, the creation of paintings, the portraits seemed like another storyline of the series. And what’s the moral of the series? Pretending to be a different gender for too long will cause chaos and can become fatal to your sex life. ^^ ()