The Danish Girl

The worst possible way to capture the biography of an unconventional person is to make it precisely this conventional and conservative. The slow cinematography, the haunting music, and the precise actors are dragged in a soul-destroying way through two hours without any drama and you guess the plot despite having no idea about the person in question until now. Somehow you guess that the wife had to go through the hardest dilemma, but her inner struggle is done with one tear on a bench in the rain - it’s very cheesy, just like the rest of the film. (07/02/2016)

Beyond the ethereal acting performances, the movie didn’t really surprise me with anything. And it wasn’t supposed to. I don’t understand the topic and it’s hard for me even get into it a little bit. On the other hand, I admit that Eddie Redmayne is an incredible actor; just as incredible as Alicia Vikander is beautiful. And since I like European movies, I appreciated actors such as Matthias Schoenaerts and Sebastian Koch, who have taken the quality to the absolute top. (15/02/2016)

Tom Hooper has failed to hang on to the status of a clear favorite. After the accessible The King's Speech and all the overflowing emotions of Les Misérables, yet another story is told of a man requiring a sympathetic posture to understand him. Yet this time it fails because it is told all too clumsily. It lacks lightness and, above all, the element of surprise, as every plot twist can be seen long in advance. Often, it doesn't matter, because Alicia Vikander plays like her life depends on it and Eddie Redmayne fascinates with every (albeit again perhaps too specific and almost disruptive) gesture. As a whole, however, The Danish Girl speaks a language that doesn't tell me anything new. (03/02/2016)

It's nice that a transgender being can take festival-goers to Copenhagen, Paris, and Dresden in the 1920s and they don't even protest. The lead roles are godlike, and I had no doubts about the set design. In addition, excellent are also the supporting roles (Sebastian Koch as Magnus Hirschfeld) and especially the emphasis on the work of Gerda Wegener, for whom I don't know whether I prefer the Art Nouveau or Art Deco period. (02/02/2016)

Art, is breaking down, pushing and creating genre boundaries, not following them exactly. Alicia Vikander understood this, the creator(s) of this film didn’t. (20/02/2016)

Tom Hooper's craftsmanship cannot be denied, everything is exactly in its place, every scene has its meaning, the cinematography works perfectly in relation to the characters and the actors get the most out of their performances. Eddie Redmayne is traditionally convincing and likeable, Alicia Vikander is phenomenal. But as far as any message or dramatic value is concerned, apart from the theme itself, there is nothing to write home about. Above all, the film doesn't feel very much like a true life story, the action doesn't reach the required emotional heights, and although the driving force is supposed to be primarily a depiction of the fateful love and affection between the two protagonists, it fails to extend their feelings beyond the expressions and inflections of the actors. Overall, it’s a bit underdeveloped, in small details and individual components, but definitely engaging and pretty good. 70% (06/04/2016)

Eddie et Alicia, Alicia et Eddie, Eddie et Alicia, Alicia et Eddie… Je crois que je ne vais parler que des acteurs, tant The Danish Girl sert de vitrine à deux jeunes supertalents. Alicia est aussi belle que gracieuse ; outre sa voix sexy, elle est convaincante, forte et charmante dans chacun de ses rôles. Et dans The Danish Girl, elle livre le meilleur d’elle-même. Quant à Eddie, il méritait de recevoir un Oscar deux années de suite. Évidemment, l’Académie ne pouvait pas se le permettre, préférant remettre la statuette à l’éternel candidat au mérite. D’après moi, Eddie a le potentiel, sinon d’égaler, alors au moins d’approcher la grandeur de Daniel Day-Lewis. Ses deux performances dignes d’un Oscar parlent d’elles-mêmes. Le troisième élément trouve parfaitement sa place ; il s’agit du personnage inquiétant de Matthias Schoenaerts, un acteur belge qui, cette fois-ci, ne m’a inspiré que des émotions positives avec son rôle sympathique. Je ne peux pas non plus cacher la joie que j’ai éprouvée à la vue de mes deux capitales européennes préférées – Copenhague et Paris. Ce film représente désormais mon meilleur moment de cinéma de l’année ! (13/08/2016)

Two stars for the performances. Other than that, I have nothing positive to say about the film. It's another one of those rainbow attempts at scoring an easy Oscar. It’s just so cheap. Just pick a "controversial" subject and instead of writing a quality script, pour in a bucket of sentimentality to achieve the desired effect. The film didn't work for me, it was draggy and boring and evoked virtually no emotion in me except for disgust after the closing credits when I realized I had wasted two hours of my life. I'd also like to note that when a film is billed as a biopic, it should be based on facts. I don't understand why the script deprived the poor guy of two more surgeries and a year of life. (23/08/2016)

"The Danish Girl" definitely did not disappoint in terms of acting, and above all Eddie Redmayne continues to prove what a great actor he is and how he can embody a character in such a way that you forget about Redmayne and only perceive the character. Alicia Vikander is not only beautiful, but also great. She is pleasing to the eye, no doubt about that. The life story itself is interesting, but the execution feels somewhat standard, expected, without enthusiasm from Hooper's side. (24/01/2016)

I know next to nothing about this issue and since I'm not some enthusiastic liberal, I didn't really feel like watching this movie. Paradoxically, I found the story intriguing, the acting performances were also great, but the two hours were simply too long. The way Tom Hooper filmed it just plain irritated me – awfully tedious, ridiculously long, and incredibly tacky. The music (I don’t understand how Desplat could have created such a brilliant soundtrack to The Grand Budapest Hotel and now this) in combination with the plot roused the feelings of genuine antipathy in me. That one Oscar for Vikander was well-deserved, but otherwise I have zero desire to watch this movie again. (06/03/2016)

So this was a real good dose of emotions excellently fitted into two hours. I literally immersed myself in The Danish Girl and savored every minute of it. Extraordinary acting performances, a great screenplay, but also great settings. It’s been a long time since I saw a movie that would talk to me through such heartfelt emotions, despair, passion and joy. I can’t give this anything less than a full set of stars. If you appreciate a good emotional drama, The Danish Girl is just the right thing for you. (16/01/2016)