Résumés(1)
Starting with a single, 18-second shot from a relatively unknown 1950s Hollywood movie, Arnold constructs a new narrative out of the choreographies and emotions that lay hidden in the source material. Using the optical printer as a microscope, he re-animates the individual frames from the original film and amplifies the inadvertent movements and hesitations of the actors. (Ann Arbor Film Festival)
(plus)Filmothèque
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