Réalisation:
Cecil B. DeMilleMusique:
Hugo RiesenfeldActeurs·trices:
Theodore Roberts, Charles de Rochefort, Estelle Taylor, Julia Faye, Clarence Burton, Edythe Chapman, Richard Dix, Rod La Rocque, Leatrice Joy (plus)Résumés(1)
Evocation de la vie de Moïse, sauvé à sa naissance par la propre fille du pharaon, qui avait décidé de mettre à mort tous les nouveaux-nés hébreux, de peur que les fils d'Israël ne deviennent plus nombreux que les Egyptiens. (Potemkine Films)
Critiques (2)
The eleventh commandment for viewers of this film might be: "After the fiftieth minute, you'll keep watching." Around that time, the generous biblical prologue ends and the story from the "present" begins, which may not even rely on the Ten Commandments, but which nevertheless offers a very compelling relationship drama. A bold idea that worked out.
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The parallelisms of meaning in the film are extremely harsh, but otherwise, Cecil's biblical spectacle is a first-rate experience. The Handschiegel method was also never wasted on substances that didn't deserve the special attention (and therefore the colors). Therefore, I love this prologue from the life of Moses and I'm downright entertained during his mirroring in modern-day San Francisco. Unfortunately, Nita Naldi didn't win over my heart, but I will continue to follow her career. However, we applaud the copy from George Eastman House.
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Annonces