Résumés(1)

Billy, onze ans, découvre avec surprise qu'un cours de danse partage désormais les mêmes locaux que son club de boxe. D'abord intrigué puis bientôt fasciné par la magie de la gestuelle, Billy abandonne les gants de cuir pour assister discrètement aux leçons de danse. Devant le talent potentiel de sa jeune recrue, son professeur, Mme Wilkinson, trouve une nouvelle énergie. Mais le père de Billy et son grand frère Tony, tous deux mineurs en grève, se battent quotidiennement pour assurer le minimum à leur famille. Les frustrations explosent quand ils découvrent que Billy a dépensé l'argent consacré aux cours de boxe pour des activités nettement moins viriles... (StudioCanal)

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Critiques (5)

lamps 

Toutes les critiques de l’utilisateur·trice

anglais The story often borders on kitsch, and especially at the beginning I really felt like I was wearing a ballet tutu, but gradually everything turns out nicely, and while I initially sympathized with the views of the uncompromising father, Billy's persistence and passion eventually made me sympathize with his character and dream. I have some reservations about Bell's performance, but that's the case with almost every child, but the other actors make up for it. It's probably been a long time since I've seen a film with such a well-defined and precise script, and the execution in the end appealed to me, which certainly can't be ignored. 80% ()

kaylin 

Toutes les critiques de l’utilisateur·trice

anglais I don't have much to complain about here. Another one of those movies I avoided for a long time, but in the end, I gave it a chance, and I must say, I was pleasantly surprised. A great story about a boy who just wants to fulfill his dream, with societal critique in the background that sometimes takes the forefront. The relationship between Billy and his father is brilliantly portrayed. ()

Annonces

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais In terms of screenwriting, it's a simple small-town tale about a talented boy who wants to make his dream come true at any cost, and in order to do so, he'll not only have to undergo hardships due to his family background and his considerably choleric father, but the socio-political situation in 1980s Britain doesn't help either, which, by the way, contrasts quite well with the gentle yet hard-working nature of ballet. I don’t quite understand all the musings about it here, because there’s certainly nothing novel, though this is a proper, intimate British comedy with a positive vibe. ()

Marigold 

Toutes les critiques de l’utilisateur·trice

anglais Billy Elliot crushed me mentally in such a way that for the first time in the movie theatre I was ashamed of my emotional manifestations. I cried half the film. It reminded me of a beautifully filmed psychotherapy... The beautiful story of adolescence and self-awareness of an English boy may well appeal more to the male part of the population; indeed, I do not know of a better film about a son's relationship with his father, of fighting conventions and prejudices. I just found a piece of my dilemmas and repressed pains in Billy Elliot. A great piece in all respects. It functions as a decent social comedy, as a personal and social drama, as well as a sweet-hearted balsam on the soul... ()

Lima 

Toutes les critiques de l’utilisateur·trice

anglais It's been a long time since I've come across a film that brought me to tears in the positive sense of the word. Until yesterday. I didn't feel that I was being emotionally blackmailed, and even if I was, I could forgive this film for everything. Emotions, that's what I love about movies. Thanks Daldry for a beautiful experience. ()

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