Le Dernier Roi d'Ecosse

  • Grande-Bretagne The Last King of Scotland
Bande-annonce 1

Résumés(1)

1971. Nicholas Garrigan, jeune Écossais enthousiaste tout juste diplômé de médecine, décide au hasard de partir exercer en Ouganda, où le général Idi Amin Dada vient de s’emparer du pouvoir par un coup d’État. Après un face-à-face fortuit qui menace de mal tourner, le lunatique dictateur débutant, aussi charismatique et charmeur que sa violence s'avère sans limites, prend le jeune coopérant sous son aile en découvrant son origine écossaise. D'abord "médecin personnel du président", Nicholas se voit rapidement intronisé son "plus proche conseiller". Fasciné par son mentor, étourdi par le luxe et le tourbillon des fêtes, et naïvement conquis par les mots d'ordre anti-impérialistes du régime, il reste aveugle aux exactions qui se multiplient. Le gouvernement britannique cherche alors à profiter de sa proximité unique avec Idi Amin Dada, mais le jeune homme se dérobe. Lorsque l’horreur de la situation lui saute enfin aux yeux, terrifié, il cherche à fuir par tous les moyens (Arte)

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Vidéo (2)

Bande-annonce 1

Critiques (8)

Kaka 

Toutes les critiques de l’utilisateur·trice

anglais An ordinary low-budget film with a serious and interesting theme, a captivating performance by Forest Whitaker, and a few rougher scenes, other than that, it is uninteresting. The linear plot has many dull moments, it is quite predictable, and only occasionally does a more intense scene ruffle the waters. I understand the Oscar nomination, but otherwise, this film doesn't have higher ambitions. It's nice that it's based on a true story, but that doesn't guarantee success, although I have no doubt that this symbolic “guarantee of an interesting spectacle” will find its fans, who will defend it to the death. Honestly, it didn't entertain me. ()

DaViD´82 

Toutes les critiques de l’utilisateur·trice

anglais The environment of Uganda and the figure of Idi Amin are about the only two things that are real here. Everything else is thought up in an uninteresting and often played out story about a naïve young man who falls under the spell of personality, only to snap out of it on time, uncover crimes, and so on. The main character is an unlikeable lout and the only thing that makes him bearable is the charismatic McAvoy, although he has absolutely nothing to work with. This is not the case with Forest Whitaker, but an actor of his stature is somehow expected to play such an impressively rewarding role without overdoing it. The atrocities of Amin's government call for many strong scenes; unfortunately there is an absolute minimum of them here and the film begins to work only in the final twenty minutes. And that's more because of classic thriller tropes than the depiction of real events. This is a huge shame that unnecessarily relegates the film to the role of a reminder that someone like Amin once existed; and if you want to know something more, you will have to do your own research. The creators cleverly managed to cover up the low budget through editing, and the result is visually appealing enough. The Last King of Scotland is a movie that is interesting only because of Whitaker's performance. And even that is not so memorable. To be completely honest, he has many better roles to his credit. ()

Annonces

gudaulin 

Toutes les critiques de l’utilisateur·trice

anglais The five-star Forest Whitaker in an otherwise average three-star film. This film shows how advanced Euro-American cinema approaches developing countries, where the main character of a film set in central Africa must necessarily be a white European to cater to the audience in economically advanced countries. Thus, the story of a British guy who comes to Africa to have fun and gain some life experience is attached to the drama of a dictator from Central Africa. However, the script failed to convincingly justify the existence of the main character, because the clear standout and magnet of the film is the self-proclaimed president Idi Amin, whom Forest Whitaker undoubtedly gave more charisma than the dictator had in reality. In my opinion, the main character should have been a black African who, for some reason, got close to the new leader of the country and was forced to witness all the madness and face Amin's sudden mood swings and chronic suspicion. It may not have been possible to completely ruin such a promising character as Amin, with long rows of corpses and countless crimes behind him, but Whitaker seized the opportunity and made the most of it, winning an Oscar. I wouldn't say it's his best performance on the big screen, but it is these socially critical roles that are awarded film prizes. Overall impression: 60%. ()

Lima 

Toutes les critiques de l’utilisateur·trice

anglais When the best thing about a whole movie is the main character's shirt, something is wrong. To be fair, though, there are two scenes that make this nonsense is survivable: the initial disposal of Castle's family has a certain amount of impact, and the fight with the Russian muscle-head to the accompaniment of an operatic aria, which is not without its comic exaggeration. The rest, full of ridiculous, pathetic poses, does not do credit to the creators, nor to the fluffy and dynamic comic book premise itself. Although I think Travolta shouldn't climb in front of the camera anymore, here he was mysteriously tolerable, while the mediocre Thomas Jane might not need a Shakespearean training for such a role, but I resisted the onslaught of my diaphragm every time I saw his badass face. But during the scene when the elevator goes up and there's Thomas turning on it, with a taut body under his tattered tank top and a harsh look on his face, I burst out laughing, I really couldn't help it :) ()

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