Heinz Emigholz
Naissance : 22/01/1948
(76 ans)
Achim, Lower Saxony, Německo
Biographie
Member of the Academy of Arts in Berlin, he was trained as a draftsman before studying philosophy and literature. He began making films in 1973 and since then his career has focused on the relationship between cinema and other arts such as photography and architecture. He has directed, for instance, Loos Ornamental (2008).
El Riviera Maya Film Festival
Acteur
| Films | |
|---|---|
| 1993 |
Stalingrad |
| 1984 |
Committed |
Die Basis des Make-Up |
|
| 1982 |
Macumba |
Normalsatz |
|
| Documentaires | |
|---|---|
| 2022 |
Slaughterhouses of Modernity |
| 1988 |
Die Wiese der Sachen |
| Courts métrages | |
|---|---|
| 1983 |
Böse zu sein ist auch ein Beweis von Gefühl |
| 1979 |
Execution: A Story of Mary |
Réalisateur
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Der zynische Körper |
| 1984 |
Die Basis des Make-Up |
| 1982 |
Normalsatz |
| Courts métrages | |
|---|---|
| 2014 |
Le Corbusier [IIIII] Asger Jorn [Relief] |
| 2001 |
Maillarts Brücken |
| 1983 |
The Basis of Make-Up I |
| 1977 |
Demon |
| 1976 |
Hotel |
Schuhstück |
|
Tassenstück |
|
Wandsbek Gartenstück |
|
| 1975 |
Brooklyn Bathroom Piece |
Stair Piece |
|
| 1974 |
Arrowplane |
Schenec-Tady III |
|
Tide |
|
| 1973 |
Schenec-Tady II |
| 1972 |
Schenec-Tady I |
Scénariste
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Der zynische Körper |
| 1984 |
Die Basis des Make-Up |
| 1982 |
Normalsatz |
| Courts métrages | |
|---|---|
| 1983 |
The Basis of Make-Up I |
| 1977 |
Demon |
Directeur de la photographie
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Der zynische Körper |
| Documentaires | |
|---|---|
| 2022 |
Mamani in El Alto |
Salamone, Pampa |
|
Slaughterhouses of Modernity |
|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| 2017 |
2+2=22 (The Alphabet) |
Bickels [Socialism] |
|
Dieste [Uruguay] |
|
| 2012 |
Perret in Frankreich und Algerien |
| 2008 |
Loos Ornamental |
| 2007 |
Schindlers Häuser |
| 2001 |
Miscellanea II |
| 1988 |
Die Wiese der Sachen |
| Courts métrages | |
|---|---|
| 1977 |
Demon |
Monteur
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| Documentaires | |
|---|---|
| 2022 |
Mamani in El Alto |
Salamone, Pampa |
|
Slaughterhouses of Modernity |
|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| 2017 |
2+2=22 (The Alphabet) |
Bickels [Socialism] |
|
Dieste [Uruguay] |
|
| 2012 |
Perret in Frankreich und Algerien |
| 2008 |
Loos Ornamental |
| 2007 |
Schindlers Häuser |
| 2001 |
Miscellanea II |
| 1988 |
Die Wiese der Sachen |
Producteur
| Documentaires | |
|---|---|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| Courts métrages | |
|---|---|
| 1977 |
Demon |