Heinz Emigholz
Naissance : 22/01/1948
(76 ans)
Achim, Lower Saxony, Německo
Biographie (3)
Born in 1948 in Achim, near Bremen. Since 1973, he has worked as a freelance filmmaker, artist, writer, cinematographer, producer, and journalist. From 1993 to 2013, he held a professorship in experimental filmmaking at the Berlin University of the Arts, where he co-founded the Institute for Time-Based Media and the university's art and media course. Since 2012 he has been a member of the Academy of Arts in Berlin.
Photos (3)
Macumba (1982)
Photo © Deutsche Kinemathek / Mikesch
Acteur
| Films | |
|---|---|
| 1993 |
Stalingrad |
| 1984 |
Committed |
Die Basis des Make-Up |
|
| 1982 |
Macumba |
Normalsatz |
|
| Documentaires | |
|---|---|
| 2022 |
Slaughterhouses of Modernity |
| 1988 |
Die Wiese der Sachen |
| Courts métrages | |
|---|---|
| 1983 |
Böse zu sein ist auch ein Beweis von Gefühl |
| 1979 |
Execution: A Story of Mary |
Réalisateur
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Zynische Körper, Der |
| 1984 |
Die Basis des Make-Up |
| 1982 |
Normalsatz |
| Courts métrages | |
|---|---|
| 2014 |
Le Corbusier [IIIII] Asger Jorn [Relief] |
| 2001 |
Maillarts Brücken |
| 1983 |
The Basis of Make-Up I |
| 1977 |
Demon |
| 1976 |
Hotel |
Schuhstück |
|
Tassenstück |
|
Wandsbek Gartenstück |
|
| 1975 |
Brooklyn Bathroom Piece |
Stair Piece |
|
| 1974 |
Arrowplane |
Schenec-Tady III |
|
Tide |
|
| 1973 |
Schenec-Tady II |
| 1972 |
Schenec-Tady I |
Scénariste
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Zynische Körper, Der |
| 1984 |
Die Basis des Make-Up |
| 1982 |
Normalsatz |
| Courts métrages | |
|---|---|
| 1983 |
The Basis of Make-Up I |
| 1977 |
Demon |
Directeur de la photographie
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| 1991 |
Zynische Körper, Der |
| Documentaires | |
|---|---|
| 2022 |
Mamani in El Alto |
Salamone, Pampa |
|
Slaughterhouses of Modernity |
|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| 2017 |
2+2=22 (The Alphabet) |
Bickels [Socialism] |
|
Dieste [Uruguay] |
|
| 2012 |
Perret in Frankreich und Algerien |
| 2008 |
Loos Ornamental |
| 2007 |
Schindlers Häuser |
| 2001 |
Miscellanea II |
| 1988 |
Die Wiese der Sachen |
| Courts métrages | |
|---|---|
| 1977 |
Demon |
Monteur
| Films | |
|---|---|
| 2020 |
The Last City |
The Lobby |
|
| 2017 |
Streetscapes |
| Documentaires | |
|---|---|
| 2022 |
Mamani in El Alto |
Salamone, Pampa |
|
Slaughterhouses of Modernity |
|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| 2017 |
2+2=22 (The Alphabet) |
Bickels [Socialism] |
|
Dieste [Uruguay] |
|
| 2012 |
Perret in Frankreich und Algerien |
| 2008 |
Loos Ornamental |
| 2007 |
Schindlers Häuser |
| 2001 |
Miscellanea II |
| 1988 |
Die Wiese der Sachen |
Producteur
| Documentaires | |
|---|---|
| 2019 |
Years of Construction |
| 2018 |
Zwei Basiliken |
| Courts métrages | |
|---|---|
| 1977 |
Demon |