Biographie
Born in the United States to Jewish Immigrants from Russia, Man Ray is considered a pioneer of the Surrealist movement, with his work spanning painting, sculpture, photography and filmmaking. Disillusioned with traditional art and shaped by the trauma of World War I along with the emergence of a modern media culture, Man Ray and other Dada artists turned to experimentation. Man Ray is perhaps most remembered for his pioneering fashion photography, and camera-less pictures he called ‘Rayographs’, but few are familiar with his work in film. In his silent films, he extended his experimentation with photography to the moving image, playing with chance and light.
Seminci - Semana Internacional de Cine de Valladolid
Réalisateur
Films | |
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2023 |
Return to Reason |
1935 |
Essai de simulation de délire cinématographique |
1924 |
À quoi rêvent les jeunes films |
Documentaires | |
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1940 |
Juliet |
1938 |
Ady |
1937 |
Course landaise |
La Garoupe |
|
1935 |
L'Atelier du Val de Grâce |
1929 |
Corrida |
Courts métrages | |
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1938 |
Dance |
Home Movies |
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1933 |
Poison |
1930 |
Autoportrait ou Ce qui manque à nous tous |
1929 |
Les Mystères du château de Dé |
1928 |
L'étoile de mer |
1926 |
Emak-Bakia |
1923 |
Le Retour à la raison |
Rue Campagne-Première |
Acteur
Films | |
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1957 |
8 X 8: A Chess Sonata in 8 Movements |
Documentaires | |
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2020 |
Un été à la Garoupe - i.a. |
2016 |
Viva Dada (téléfilm) - i.a. |
2013 |
La casa Emak Bakia - i.a. |
2001 |
A proposito degli effetti speciali - i.a. |
1957 |
The Twentieth Century (série) |
1940 |
Juliet |
1938 |
Ady |
1937 |
La Garoupe |
Courts métrages | |
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1967 |
Grimaces |
1933 |
Poison |
1930 |
Autoportrait ou Ce qui manque à nous tous |
1924 |
Entr'acte |
Scénariste
Courts métrages | |
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1938 |
Home Movies |
1926 |
Emak-Bakia |
Directeur de la photographie
Courts métrages | |
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1926 |
Emak-Bakia |
Producteur
Courts métrages | |
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1938 |
Home Movies |
Monteur
Courts métrages | |
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1938 |
Home Movies |