Jeoffrey

"Grandpa, they said on TV that Japan has a birth rate problem, and people don't want to start families!" "That's a shame, Grandma. It's time to show everyone true family values!" "You're right, Grandpa. We have grandchildren. We must set an example and show them that true love lasts a lifetime." "Exactly, Grandma, and maybe give them a little push!" "Grandpa, did you hear? Young people are moving away from the countryside!" "That's sad, Grandma. There's nothing better than a peaceful life in the country." "You're right, Grandpa. Who will grow apples if we don't? It's up to us to show everyone the joy of caring for an orchard!" "Good thing we're so spry for our age, Grandma. We need to show the young folks that old people are cool!" "Look, Grandpa, do you see that golden apple over there?" If I took a shot every time they said "jiisama" or "baasama," my Sundays would be pretty wild, and I probably wouldn't make it to old age. I get what the show was trying to tell me — respect the elderly for their wisdom, find a spouse, start a family, move to the countryside, and grow apples! I almost wanted to check our apple trees for golden apples and dreamed of being twenty years younger — but the frost ruined this year's harvest... The problem is, with how much the show pushed these ideas (almost like some agricultural propaganda or a pro-birthrate ad), I couldn't relax and just enjoy it. I love these fateful romances and admire swans for their lifelong partnerships. I even remember the story of Philemon and Baucis, who had a lot in common with our grandma and grandpa. But here, I just couldn't buy into the atmosphere. It felt too forced. Whether it was propaganda or not, I have to say the animation wasn't great. It was just enough to hold together, but no one bothered with details. The focus was on the message, not the form. Unfortunately, I didn't enjoy this story much. Maybe I saw something that wasn't there, but overall, the series didn't convince me. I'm not planning to start a family, I already respect the elderly, and I'll leave large-scale apple farming to others. I’m happy with just a few apples from my garden for a pie... 4.8/10.

This is a totally average harem anime, notable only for featuring girls who are also mythical beings (angel, vampire, kappa, yuki onna). The girls are cute and likable enough to keep me watching and maybe crack a smile, but they’re not memorable or unique enough to stick with me a week or two later. The main character is your typical "nice, ordinary guy," bland enough for any male viewer to project themselves onto. The animation is decent, especially the designs of the girls — no surprise for a harem anime. The story is mostly generic and predictable. The romance is very light and childish, full of blushing, awkwardness, misunderstandings, and minor missteps. With a cute angel acting like an anime "puppy" and the main guy being just a "nice, ordinary boy," it's par for the course. If you enjoy harem anime with cute girls, this series will likely be pleasing and inoffensive. However, if you’ve seen a few harem anime and are looking for something original and new, you won’t find it here. It’s just another average harem anime. 5/10

Ever wondered what it’d be like to have sex with various supernatural beings? Well, anime has explored that in depth. Now, it's time to see what happens if you try to eat them! Don't worry, nothing resembling humans. Of course, Marcille, we understand. But Jeoffrey, cooking monsters seems too abstract and doesn't resonate with me! Come on, you don’t have to be Gordon Ramsay to substitute those supernatural ingredients with our everyday ones. The recipes aren’t complex; we’re cooking in dungeons, not a five-star hotel kitchen. Besides, is it really about learning to cook something? It's more about making cooking interesting, sparking your imagination, and making you hungry. The ingredients are beautifully drawn, the dishes look delicious despite coming from monsters, and if you grab a snack while watching, it will definitely enhance your experience. Back to the main question — or rather, a deeper one — Is this just another cooking anime? Or is it an adventurous journey that repeatedly asks how far you would go to save a loved one? Except for Laios, no one here wants to eat monsters out of curiosity; it's a necessity for survival in a hostile environment. Eat or be eaten! But Jeoffrey, if this is a desperate rescue mission, why does the party proceed like they’re on a casual trip, even with Laios’s sister slowly dying inside a dragon? The atmosphere is too relaxed for such a dire situation.  Admittedly, I initially shared this criticism, feeling that the only desperate act was cooking whatever they could find. But as you progress, you realize these dungeons are perilous, full of traps and dangerous creatures, where every misstep could mean death. Our adventurers aren't amateurs. For example, Senshi is a survival specialist in these dungeons. They know why they’re cautious and what they’re doing, even if it sometimes feels like a school trip with campfire cooking. The story gradually complicates, drawing both the characters and viewers into the labyrinthine corridors, making the dungeon’s operations clearer. Plus, the second half of the series takes a surprising turn, shifting the tone and addressing the characters’ problems with elegance and intensity. The question of how far you'd go to save someone you love gains new dimensions and intense answers. So, what makes Delicious in Dungeon truly great? Above all the characters, detail, humor, and animation. The characters are unique, diverse, believable, likable, and entertaining. The main five are fantastic, and even side characters like Shuro, Kabru, and Sissel keep you invested. Marcille’s expressions are a delight, you’ll quickly grow fond of Izutsumi, respect Senshi, find Chilchuk to be the voice of reason, and Laios is indispensable. But you'll also meet characters like Shurou, Kabru, and Sissel, whose every move you'll follow with bated breath, eager to learn more about them. The world-building here is truly impressive. Ryouko Kui has created a fully functioning ecosystem that feels layered and connected to the ancient ruins of past civilizations. You'll appreciate the importance of maintaining this balance, and the series will show you exactly what happens when things go wrong. It's fascinating how well-constructed and consistent this world is, with rules that make sense and a sense of love and care evident in every detail. One standout feature is Izutsumi, the first logically explained and integrated catgirl in an anime. No Nekopara bullshit here — her existence makes perfect sense within the story's context. The humor in this series is top-notch, ranging from sweet and silly to laugh-out-loud funny, all while blending seamlessly with the more serious moments. The transitions between different tones and themes are handled beautifully. The animation style is unique and visually striking, with character designs that are instantly recognizable and pleasing to watch. Studio Trigger did an excellent job, ensuring the series looks great and maintains a distinct visual identity. In summary, Delicious in Dungeon deserves top marks. I've grown to love this series, even though it hasn't quite reached the level of adoration I have for Frieren from previous seasons. My top series ranking remains unchanged for now, but I'm eagerly anticipating more episodes. I thoroughly enjoyed the entire experience, even though I became truly hooked from the dragon confrontation onward. 9.4/10