kaylin

I was surprised by how well and professionally the film is shot. If it weren't for the Czech spoken, I'd easily say it's an American production. The actors are all excellent and I didn't find a single weak performance. The screenplay may be somewhat fictionalized, and I was disappointed that it's a film about Munich, not so much about Masaryk and maybe his death, but I still enjoyed the film, even though it can hit you with quite the bit depression.

Indians seem to quite like revenge movies, as they appear quite often in their cinema. Or maybe I've just been lucky lately. The heroine in the lead role isn't bad, and the film has quite a good, punchy start, but the tension that got me early on quite quickly faded, and by the end, I wasn't as entertained.

A good story, not as brilliantly adapted into a film as the source material would allow, but it's elevated by the performances, with Broderick Crawford particularly appealing to me this time, and he was perfectly suited for the role of Willie Stark. A successful adaptation that isn't genius but still manages to present the story quite powerfully.

Another documentary about porn stars who have moved on from porn, and some haven't even returned to it. I like that there are more generations here, although the documentary mostly focuses on women over forty. Lisa Ann will probably always remain one of my favorites, and I'm glad I also got to know her civilian side.

Ingmar Bergman simply proved his mastery at the beginning of his career and showed what potential he has "only" with the screenplay he wrote for the film Torment. Even though you might feel for a moment that it's something like School Is the Foundation of Life, the film is of a completely different genre, yet it's not a classic thriller, which would be the first impression.

This is a must-see musical. And if you see it, it's quite possible that you'll say how terrible it actually is. And it is. This is not a musical for everyone. It has a plot, but it's almost irrelevant. It's incredibly playful, it's crazy, it's wild, but that playfulness is just beautiful about it, and it got me.

Lance Henriksen does his thing, as do the other actors, but it's not them who can impress you. In the end, it's really just the special effects that succeeded, but unfortunately, the rest was somewhat neglected. Harbinger Down is a B-movie, it's just a regular B-movie that has good special effects, but otherwise nothing. At least for me, it reached average. But that’s all, unfortunately.

The porn industry interests me, so I was interested in this documentary because its premise is quite good - what happens to porn stars when they "retire". And it's not an uninteresting sight, although it is quite sad. It has quite honest confessions, which I liked the most about it. By the way, being a porn historian must be an interesting job.

It's the first film where Kurosawa is joined by Toshiro Mifune as an actor, and it's immediately a very good collaboration. Not only does Mifune show his mastery, but more importantly, Kurosawa shows where his strength lies - in a film with a story that mixes human elements with those that are not normal for ordinary people, like being a member of the Yakuza. And it works great.

I thought it could be a pretty good movie just because of its cast. But it turned out to be a very good comedy that suited me, and the only thing that bothered me was the finale, where it had to have that romantically moralizing ending. In the Laird's house passage, I had a great time throughout.