Stanislaus

 The Fall Guy has a bit of a slow and slapdash start, but from Colt's return to the set, the film jumps into a brisk wave of action that isn't slowed down even by the closing credits. David Leitch mixes action comedy with romance and crime in a likeable way, with all the genre levels working well together. I've always liked Emily Blunt, and Ryan Gosling is definitely more suited to the distressed stubble than Ken's face. I also liked how the film pays homage to the stunt craft and all the "no-names" who risk their lives so that "famous" stars can shine. Last but not least, I must not forget to mention the excellent parody of the space opera genre and the eye-rolling, or rather humming, of the "dune saga".

I'm not a fan of sports-themed films, but Challengers managed to win me over thanks to its story, the core of which revolved around a dynamic and plastic love triangle, whose individual vertices interacted with each other at the speed of a tennis ball. I commend the structure of the plot, where the framework was the decisive match, while the filler was what led to this great match. In fact, I ended up liking the sporting aspect of the film - the quick shots between faces, ball hits and rackets really drew me into the action, almost onto the tennis court, you could say. Last but not least, I have to highlight the incredible soundtrack, whose electronic tones fit the story perfectly.

An enjoyable and warm tribute to an icon of American country music, the owner of unmissable assets and distinctive humour: Dolly Parton. The stage featured singers rather unfamiliar to me, but at least I was able to know a bit more of Dolly's repertoire. The final and endearingly ticklish word from Dolly was a funny icing on the cake.