NinadeL

A family polygon of life and about life as it is. As a bonus, there are two successful cameos by the then-award-winning young prodigies Geislerová and Hádek. This is very good for viewers used to interacting with film.

This is the most emotional film of the golden 1990s. Pure gold at the end of the wildest decade of Czech cinema. Perhaps for the first time, I appreciated Dostoevsky's hero, because this one, transplanted entirely into a new context, is still the same, but all the more immortal.

It is a fact that this little film of Kučera's was almost lost, and years later, the casual viewer would no longer be able to distinguish it from all those other futile genre attempts. But Kučera was brave enough to make one more film. That means we'll never forget him.

The year 2000 was interesting for Aňa Geislerová in terms of foreign productions, but the final balance is very weak. She starred in this silly crime drama alongside Danica Jurčová and Monika Kvasničková as models, while also managing to be in an episode of the German series Geisterjäger John Sinclair and another bland role in the film England! This leads to the fact that the only Czech production with Aňa from that year has blossomed above all else and is sweeter than ever with this knowledge.

Twenty years after its premiere, it is finally possible to return to War of Colours in a reasonable format and enjoy everything I love about Czech films from the 90s. All the discoveries of the Western style of storytelling, all the montages and clip passages, the attractive setting, the ingeniously written roles for the local actors, and the unique feeling of that high when even little Aňa with a blonde wig could conquer the world. Her wonderfully childish dialogues about first love, betrayal, and the big world are a treat to listen to. Of course, the modeling environment also does its job, and also the well-chosen (not only) Prague locations. The worldly Hanák is also absolutely great, even better next to the homely Vaculík. Ah, the golden '90s!

At the time, I found "Lady Marmalade" to be the only track on the Moulin Rouge! soundtrack to be unsatisfying. But as a standalone burlesque video it's good, and from today's perspective it's certainly interesting that only Aguilera and Pink survived.

A cute family film based on classic children's literature, which has not yet taken up residence in the Czech Republic. The stories of the teddy bear from darkest Peru are, after all, too closely linked to London and colonial poetics. Filmed very skillfully, it bets on certainty and fans will be attracted by a wide star spectrum that includes Nicole Kidman and Gwen Stefani. Kidman is betting on a new variation of the villain she last tried in The Golden Compass. Her new straw-colored mikado and perverse tendencies suit her with a naturalness that is all her own. And Stefani sang a new song with Pharrell for the credits to remind her listeners that she's a mom herself. All in all, this is a genre surprise that I can recommend.

Brooks' life from a - z. Lulu in Hollywood, Berlin, and Hell. The fascinating life of a woman who made several key decisions during her career and became immortal against all odds. Or the friends at George Eastman House and their ability to work miracles.

There’s a fascinating feminine theme that can be found here. Although today, more than 100 years after Hana Kvapilová's death, it is admirably difficult to engage our full imagination to grasp even partially the nature of her acting and thus to understand its meaning. Unforgettable.

This work by Dietl is very inspired by the premiere of the Czech play "Naši furianti" (Our Swaggerers). I must admire and discover, perhaps for the first time in my life, a real enthusiasm for the events surrounding the Golden Chapel. Just the reconstructions of those considerations around set design alone make me applaud.