Résumés(1)
The work can be described as a cultural exquisite corpse: an operetta with a libretto in Russian about a British home appliance, a vacuum cleaner, set in an Israeli reality of private perversion and socio-political phobias. While each of these layers offers its own particular resonances, they share in common the emergence of communal and private forms of xenophobia from within the private sphere of leisure and pleasure, abundance and perversions. (Viennale)
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