4/4 Preludium C dur
Court métrage
Tchéquie,
2017, 45 min
Résumés(1)
Our whole lives we pretend that it doesn't concern us, when in fact, day by day, we can feel within how more and more touched we become. We can remember the times when there weren't questions that could hurt us, the times when we we- ren't aware that "me being" would also mean "me not being" one day. And how do we identify that moment when our perception changes? What is the di erence between doing and ction, and how do we capture either of them? e ctional do- cumentary non-story about the feelings of one or more people. 4/4 prelude without the fugue. Johann Sebastian Bach. (Marienbad Film Festival)
(plus)Acteurs·trices
Marie Švestková
Meilleurs films :
Mon oncle Archimède (2018) (téléfilm)
Karel, já a ty (2019)