The Attendant

A young white man visits a gallery of old master paintings. When the museum closes, he stays behind, arousing the sexual fantasies of an older black museum attendant. In one of these fantasies, the 19th-century painting ‘The Slave Trade (Slaves on the West Coast of Africa)’ by French artist François-Auguste Biard metamorphosises into a group of leather-clad gay men. (Berlinale)