Biographie
Yusup Razykov (b. 1957, Tashkent, Uzbekistan) studied screenwriting at VGIK (1986). For his feature film debut The Orator (Voiz, 1999 – KVIFF 2000), in which he ridicules the hypocrisy and diligence of a naive revolutionary, he was awarded the Russian Critics’ Prize. He treated the freshly topical theme of polygamy in the incisive film Female Kingdom (Zhenskoye tsarstvo, 2000). As director of the Tashkent-based studio Uzbekfilm he shot the internationally successful Comrade Boykenzhayev (O’rtok Boykenjayjev, 2002 – KVIFF 2003), a grim farce illustrating the torpidity, primitivism and obsequiousness of Soviet-era functionaries. In The Gastarbeiter (2009 – KVIFF 2010) he expresses his alarm at the degeneration of a society pervaded by mafia activities.
48. MFF Karlovy Vary
Scénariste
Films | |
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2023 |
Raspravljaja krylja |
2022 |
Francuzskij master |
2019 |
Kérosène |
2018 |
Taněc s sabljami |
2017 |
Koroleva pri ispolněnii (téléfilm) |
La Selle turque |
|
Sekret neprystupnoji krasuni (téléfilm) |
|
2015 |
Adieu Moskvabad |
2007 |
Shima |
2005 |
Erkak |
2002 |
Dilhiroj |
2000 |
Ayollar saltanaty |
1991 |
Iskhodnye dannye: smert (téléfilm) |
Séries | |
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2019 |
Rasplata |
2017 |
Isčeznuvšaja |
2015 |
Iščejka |
2014 |
Jekatěrina |
2012 |
Bednyje rodstvenniki |
Mať i mačecha |
|
Sklifosovskij 1 |
|
2009 |
Petrovka, 38. Komanda Semenova |
Documentaires | |
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2008 |
Планета Православия (série) |
Courts métrages | |
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1985 |
Daira |
Réalisateur
Films | |
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2022 |
Francuzskij master |
2019 |
Kérosène |
2018 |
Taněc s sabljami |
2017 |
La Selle turque |
2013 |
La Honte |
2009 |
Gastarbajtěr |
2005 |
Erkak |
2002 |
Dilhiroj |
2000 |
Ayollar saltanaty |
1998 |
Voiz |
1991 |
Iskhodnye dannye: smert (téléfilm) |
Séries | |
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2017 |
Isčeznuvšaja |
2015 |
Domrabotnica |
Udar zodiaka |
|
2012 |
Mať i mačecha |
Sklifosovskij |
Documentaires | |
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2008 |
Планета Православия (série) |
Producteur
Films | |
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2019 |
Kérosène |
Scénographe
Films | |
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2019 |
Kérosène |